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been added examples from the JULES PORGNS Collec 


luable Paintings collected 


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mie 


American Art Galleries, Apr.19-20, 1923. 


Buyer 


L.Berizzi 
H.Schultheis 
Arlington Galls. 
Herbert C.Freeman 
C.W. Kraushaer 
Leo Kaufman 
T.C. Dawson 
K.J,.Huber 
Welter Drew 

" 


E.J. Huber 
E.B.Springs 
Li] 


H.Schultheis 

A. Johnston 
E.B.Springs 
Arlington Galls. 
J.F. Feder 
Jos.Gerli 
E.B.Springs 

J.F. Feder 
T.Weiteneyer 
I.Polivnick 

DrW.. Timme 
M.B.Metcalf, Jr. 
E.J.Huber 
M.B.Metcalf, Jr. 
P.J.Knobloch 
M.B.Metcalf, Jr. 
E.H.Block 
F.K.Richards 
A.L. Lowenstein 
A.C.Balch 
E.B.Springs 
H.Schultheis 
J.F.¥eder 
W.H.McGrann 

Sam Schepps 
R.Clarkson 
E.H.Block 
Chas.W.Ogden 

Ralph P.Ross 
Bernet, Agt.H. 
E.B.Springs 
E.H.Block 

WmBienchi 

Louis Ralston & Son 
B.Voss 

Wm. Bianchi 
H.L.Williems 


by Mr.D.G. D: 


No. 


51. 
52. 
53, 
54. 
55. 
56. 
57. 
58. 
59. 
60. 
61. 
62. 
63. 
64. 
65. 
66. 
67. 
68. 
69. 
70. 
71. 
“tae 
73. 
74, 
75. 
76. 
ws 
78. 
79. 
80. 
81. 
82, 
83. 


89. 


91. 


Price 


$ 350. 
220. 
1,700. 
400. 
210. 
850. 
240. 
550. 
475. 
400. 
140. 
340. 
120. 
220. 
1,000. 
150. 
950. 
2,600. 
600, 
2,100. 
1,550, 
1,550; 
475, 
725. 
325. 
80. 
55. 
210. 
Jia 
110. 
230, 
210. 
400. 
110. 
190. 
400. 


tion of Paris, sold at 


- 


Buyer 


E.B.Springs 
F.F. Nicola 
Leo Kaufman 
W. Bianchi 
Dr.E.Cadgene 
E.B.Springs 
A.L. Lowenstein 
J.F.Feder 
Leo Kaufman 
W.F.Schlemmer 
F.K.Richards 
H.F. Feder, 
Leo Elwyn 
F.F.Nicola 
Dr.E.Cadgene 
Mr. Aean 
Jos.Gerli 
Louis Ralston & Sons 
H.Schultheis 

9 


E.B.Sppings 
Bernet, Agt.¥. 
#.E.Regan 
H.Schuitheis 
Bernet Agt.H. 
Seaman, agt. 
A. Johnston 
E.G.Block 

A.L. Lowenstein 
Seaman Agt T. 
E.HBlock 
Bernet Act.W. 
P.J.Knobloch 
A.EBraun 

Oscar B.Cintas 
M.J.Roujy 
Emanuel Gerli 
S.W.Ehrich 
Emanuel Gerli 
K. Rhoades 

Dr. A. Kahanowicz 
Seaman Agt.T. 
MrsPowell 

F. Boucher 
Bernet Agt.A. 
Mr. Newall 

A. Johnston 
E.B.Springs 
Bernet Act.W. 
M.J.Roujy 


Nee 


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foe ok REE PUBLEC. VIE Ww 
FROM 9 A. M. UNTIL 6 P. M. 


mail THE AMERICAN ART GALLERIES 


BLOCK OF MADISON AVENUE, 561TH TO 57TH STREET, NEW YORK 
ENTRANCE, No. 30 EAST 57TH STREET 


BEGINNING SATURDAY, APRIL 141Tn, 1923 
AND CONTINUING UNTIL THE DAY OF THE SALE 


THE D. G. DERY COLLECTION 


OF 


VERY VALUABLE PAINTINGS 


WITH ADDITIONS FROM 


THE FAMOUS JULES PORGES COLLECTION 
PARIS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE ASSEMBLY HALL 
OF THE AMERICAN ART GALLERIES 


ON THURSDAY AND FRIDAY EVENINGS 
APRIL 19TH AND 20TH 


BEGINNING AT 8.15 O’CLOCK 


ILLUSTRATED CATALOGUE _ , : 
OF Wa | P49 
AN IMPORTANT COLLECTION awl 


VALUABLE PAINTINGS 


BY MASTERS OF THE 
_ BARBIZON, CONTEMPORANEOUS FRENCH, EARLY 
ENGLISH, AMERICAN AND ANCIENT DUTCH SCHOOLS 
AND 
A NUMBER OF ITALIAN PRIMITIVES 
COLLECTED BY 


Ree. G. DERY 


OF CATASAUQUA, PENNSYLVANIA 


TO BE SOLD BY ORDER OF GEORGE A. POST, JOHN P. MAGUIRE 
AND JOSEPH M. PROSKAUER, 
AS RECEIVERS OF THE D. G. DERY CORPORATION 


ROUNDS, SCHURMAN AND DWIGHT, ATTORNEYS 
TO WHICH HAVE BEEN ADDED 
IMPORTANT EXAMPLES BY REMBRANDT, RUBENS, 
DE HOOGHE, CUYP, TENIERS, DE VOS, METSU 
AND VERSPRONCK 
FROM THE FAMOUS COLLECTION OF 


JULES PORGES, PARIS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
meee AW ERICAN ART GALLERIES 


ON THE EVENINGS HEREIN STATED 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIs ASSOCIATES 
THE AMERICAN ART ASSOCIATION, MANAGERS 


ENTRANCE, 30 EAST 57TH STREET 
NEW YORK 
1923 


THE AMERICAN ART 
- DESIGNS ITS CATAL 
) , ALL{DETAMSIOn 


‘eer: 


CONDITIONS OF SALE 


__i. Rejection of bids: Any bid which is not commensurate with the value of the 
article offered or which is merely a nominal or fractional advance may be rejected by the 
auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 

II. The buyer: ‘The highest bidder shall be the buyer, and if any dispute arises 
between two or more bidders, the auctioneer shall either decide the same or put up for 
re-sale the lot so in dispute. 

III. Identification and part payment by buyer: The name of the buyer of each lot 
shall be given immediately on the sale thereof, and when so required, each buyer shall 
. a card giving the lot number, amount for which sold, and his or her name and 
address. 

Payment at the actual time of the sale shall be made of all or such part of the 
purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot or lots so purchased 
may at the option of the auctioneer be put up again and re-sold. 

IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer, 
and thereafter neither the consignor nor the Association is responsible for the loss or 
any damage to any article occasioned by theft, fire, breakage or any other cause. 

V. Delivery of purchases: Delivery of any purchases will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made at the place of sale or at the storage warehouse to which 
purchases may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of 
9 A. M. and 1 P. M. on sales’ days and on other days—except holidays, when no deliveries 
will be made—between the hours of 9 A. M. and 5 P. M. ; 

Deliveries at places of sale other than the American Art Galleries will be made 
only during the forenoon following the day of sale unless by special notice or arrange- 
ment to the contrary. 

Deliveries at the storage warehouse to which goods may have been sent will be made 
on any day other than holidays between the hours of 9 and 5. 

Deliveries of any purchases of small articles likely to be lost or mislaid may be 
made ne discretion of the auctioneer during the session of the sale at which they 
were sold. 

VI. Storage in default of prompt payment and calling for goods: Articles not paid 
for in fuli and either not called for by the purchaser or delivered upon his or her order 
by noon of the day following that of the sale will be turned over by the Association to 
some carter to be carried to and stored in some warehouse until the time of the delivery 
therefrom to the purchaser, and the cost of such cartage and storage will be charged 
against the purchaser and the risk of loss or damage occasioned by such removal or 
storage will be upon the purchaser. 

OTE: The Limited space of the Delivery Rooms of the Association 
makes the above requirements necessary, and it is not alone for the 
benefit of the Association, but also for that of its patrons, whose goods 
ae would have to be so crowded as to be subject to damage 
and loss. 

VII. Shipping: Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, and will not be performed by the Association 
for purchasers. The Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers; doing so, however, 
without any assumption of responsibility on its part for the acts and charges of the 
parties engaged for such service. 

VIII. Guaranty: The Association exercises great care to catalogue every lot cor- 
rectly and endeavors therein and also at the actual time of sale to point out any error, 
defect or imperfection, but guaranty is not made either by the owner or the Association 
of the correctness of the description, genuineness, authenticity or condition of any lot 
and no sale will be set aside on account of any incorrectness, error of cataloguing or 
imperfection not noted or pointed out. Every lot is sold “as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and the 
Association will give consideration to the opinion of any trustworthy expert to the 
effect that any lot has been incorrectly catalogued and in its judgment may thereafter 
sell the lot as catalogued or make mention of the opinion of such expert, who thereby 
will become responsible for such damage as might result were his opinion without 
foundation. 

IX. Buying on order: Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph or telephone will be faithfully 
attended to without charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a purchase of a lot of one 
or more books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be returned within 
ten days from the date of sale and the purchase money will be refunded if the lot 
in any manner differs from its catalogue description. i 

Orders for execution by the Association should be written and given with such 
plainness as to leave no room for misunderstanding. Not only should the lot number 
be given, but also the title, and bids should be stated to be so much for the lot, and 
when the lot consists of one or more volumes of books or objects of art, the bid per 
volume or piece should also be stated. If the one transmitting the order is unknown to the 
Association, a deposit should be sent or references submitted. Shipping directions should 
also be given. Fr : 

Priced Catalogues: Priced copies of the catalogue or any session thereof, will be 
furnished by the Association at charges commensurate with the duties involved in copying 
the necessary information from the records of the Association. 


AMERICAN ART ASSOCIATION, 
New American Art Galleries, 
Block of Madison Avenue, 56th to 57th Street, 
Entrance, 30 East 57th Street, 
New York City. 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. ‘Together with the increase in 
its exhibition and sales rooms, the American Art Association will expand its 
service of furnishing appraisements, under expert direction, of art and literary 
property, jewelry and all personal effects, in the settlement of estates, for in- 
heritance tax, insurance and other purposes. It is prepared also to supplement 
this work by making catalogues of the contents of homes or of entire estates, such 
catalogues to be modelled after the finely and intelligently produced catalogues 
of the Association’s own Sales. 


The Association will furnish at request the names of many Trust and Insur- 
ance Companies, Executors, Administrators, Trustees, Attorneys and private 
individuals for whom the Association has made appraisements which have not only 
been entirely satisfactory to them, but have been accepted by the United States 
Revenue Department, State Comptroller and others in interest. - 


THE AMERICAN ART ASSOCIATION 


ASSES 


NEW AMERICAN ART GALLERIES 
THE BLOCK OF MADISON AVENUE, 56TH To 57TH STREET 


ENTRANCE, 30 EAST 57TH STREET 
NEW YORK CITY 


FIRST EVENING’S SALE 
) THURSDAY, APPRIL 19, 1923 
IN THE ASSEMBLY HALL | 
OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O CLOCK 


Catalogue Numbers 1 to 75, inclusive 


NOTICE: The pictures described in this Catalogue under 

Nos. 1 to 145 (inclusive) were collected by Mr. D. G. Derry. 
of Catasauqua, Pennsylvania, and are to be sold by order of 
GrorcE A. Post, Jonn P. Macuire ann Josep M. Pros- 
KAUER, as Receivers of the D. G. Derry Corporation. 
Rounps, SCHURMAN AND Dwicut, Attorneys. 


EUGENE DE BLAAS 
Austrian: 1843— 


1—A BLONDE | 


(Panel) s < 
g S : Height, 10 inches; width, 7% inches 8 


Fuxx bust portrait of a young woman of agreeable features, figure 
to front and head turned towards her left shoulder; seated in a full 
light before a dark background. Her hair, of the reddish-blond type, 
is braided in a large knot at the back of her head and fringes with curls 
her forehead. She wears an open waist of mixed colors, with white 
sleeves, and has drawn a blue kerchief over her shoulders. 


Signed above her right shoulder, KucreNE vE Buaas. 


From the Joseph F. Knapp Collection, New York, 1909. /-= SSA, , Bicy 
$201. Canghh Ipurnmuhrte thy Hb. Ihe © 5% 
eee I Mica Lifh M9. .-BOME 


FRIEDRICH JOHANN VOLTZ 
GERMAN: 1817—1886 


29--LANDSCAPE WITH HERDER AND CATTLE 
(Panel) 
Height, 9 inches; length, 151% mches 40. 


i Wi 


Dark gray storm clouds have passed away to the distant right, and 
the sun shines brightly over a flat green valley, on a hill which bounds 
it at the distant right, and over a middle distance bluff at the left 
whose nearer slope is in shadow. In the foreground a black bull stands 
athwart the picture, near a red and white cow lying down, and beyond 
these are other cattle. Reclining on the grass to right is their herder, 
looking away from the observer. 


Signed at the lower left, Fre Vourenee 4 


N. GRUTZNER 


GERMAN: NINETEENTH CENTURY 


3:--A4d JOLLY CONF AB | a. | 
(Panel) QW). ; 


Height, 81, inches; length, 1014 inches te 


Strout and well fed monks sit at table with a white bearded man and | 


all enjoy a merry conversation while refreshing flagons go ’round, 


with replenishment in sight. On the table are edibles and on the wall 
is a painting. 


Signed at the lower centre, N. Griivzner. 
Purchased at the American Art Galleries, 1916. 


JEAN LOUIS ERNEST MEISSONIER 
Frencu: 1813—1891 


4_SLEEPING CAVALIER 


(Panel) \\0: 


Height, 8 inches; width, 514 inches 


bee : dutut? 


On a long wooden bench in front of a plastered stone wall a slim 
cavalier sits sleeping. His buff jacket with slashed sleeves shows white 
undersleeves, which appear at his wrists, and he wears an overhanging 
white collar and leather-red breeches. His hands are clasped about his 
sword, and a flagon stands on the bench beside him. 


Signed at the upper left, EM (monogram). 


MARTIN RICO 


SpANIsH: 1850—1908 


5—A CORNER OF VENICE . 5 
(Panel) 


Height, 9 inches; length, 16 inches 


b 0, CAG rage payee. 


On the right a fondamenta along a red garden wall over which green 
vines appear, leading to steps over a marble bridge, where numerous 
figures are seen, and on the farther side a palace. At left a blue canal 
sparkling with ripples on a brilliant day, and on it some boats and 
sail. In the background across the water many buildings and gardens 
and a campanile. 


Signed at the lower right, Rico. 


~ JEAN GEORGES VIBERT 
Frencu: 1840—1902 


6—A CAVALIER 


e 
(Panel) 3 () 
Height, 12 inches; width, 9 imches ; 
Sranpine before draperies and a wall of neutral coloring, and in a full 
interior light, a tall man with long reddish hair and red goatee and 
long red moustache stands in proud vanity, twirling his finely twisted 


moustache. He faces the left, three-quarters front, and is clad in 
brown, scarlet and white. 


Signed at the lower left, Vinmrt. 


JAN VAN BEERS 


Bewucian: 1852— 


7—INDOLENCE 


(Panel) 5 () ; 


Height, 12% inches; width, 10 inches 


510; J.0. Oxrudauw. 


A BLOND young woman bare legged and bare armed, in a fluffy white 
dress of ballet length and open at the breast, reclines in an easy chair 
in a studio and faces the observer with a languid if a bit roguish smile. 
She reclines on a mass of soft fur rugs, against which her bare arms 
and feet nestle comfortably, and with knees crossed and head down upon 
her right shoulder she raises her right hand to meet her crown. 


Signed at the upper left, JAN van BEERs, Paris. 


From the Mary Adelaide Yerkes Collection, New York, 1912. -#//- Slo & 


JEAN GEORGES VIBERT 
FreNcH: 1840—1902 


t 


8—THE ORATORICAL CARDINAL 7 
(Panel) a pe 0 ; 


~ Height, 13 inches; width, 10 inches F 
Ao, ge 2 bye) ay 


Our to a country of rough fields, softened by the quiet light of a gray 
stream, a tall young cardinal has gone to practice declamation. Clouds 
of soft grayish-white overlie horizon banks of mauve. In these sur- 
roundings and against this aerial background he stands facing the 
observer, hat under left arm and left hand holding a manuscript, his 
right arm raised and extended in eloquent gesture as he reads and 
speaks. 

Signed at the lower left, J. G. Viper. 


LOUIS ALEXANDRE LELOIR 


Frencu: 1843—1884 


9I_STAN DING FIGURE OF A GIRL oe 
: (Panel) Sb ) ' 
Height, 14 mches; width, 10 inches 


ae Walttr beer 


Sranpinc in sunshine before the entrance to a wood of small trees, 
whose foliage is largely in autumn browns, a neat and pert young 
French girl is observed, back to the spectator, arms akimbo with hands 
saucily on hips, and face seen in profile across the left shoulder. She 
wears a turquoise-blue waist and a skirt of soft and warm red, and 
a white and pink lace cap. 


Signed at the upper right, “A mon ami E. Lampert, Louts 
LELor.” 


ADOLF SCHREYER 


GERMAN: 1828—1899 


10—Ad HARD TUG 


(Panel) yi , | . 


Height, 644 wmches; length, 12 mches 


a 


means 


Comine toward the spectator in a soft, slushy road through a wood, a 
heavily loaded, heavily built cart drawn by seven horses, a green coated 
and gray hatted man on one of the leaders and a swarthy man wearing 
a red coat and a red cap riding one of the wheelers. At right a man 
on horseback, ReCOrpaLy ng: The horses white, black and sorrel and 
the woods brown. 


en 


Signed at the lower right, Av. SCHREYER. 


FELIX ZIEM 


-Frencu: 1821—1911 os 


7 
 11—VENICE awit 
ph) 
(Panel) 
Height, 1034 inches; length, 1514 inches ; Fibers 


On the right a broad quai, with occasional figures in colorful apparel, 
a gondola drawn alongside and boats with sails drawn up in the middle 
_ distance, their canvas pale gold and rose. Farther in the background, 
to right, the ducal and royal palaces, the domes of St. Mark’s and the 

Campanile, and in the distant left, beyond the blue canal, the Salute in 
| a haze. 


Stgned at the lower right, Zire. 


JEAN JACQUES HENNER 


Frencu: 1829—1905 © 


12—IDEAL HEAD 6 i: 
(Board) “ . 


\ 


34 g Height, 11 inches; width, 8 “ae rs 
ise 


Busr portrait of a typical Henneresque young woman, figure to left 
three-quarters front, and face in profile to the left. White flesh 
against a dark background; brownish-red hair falling loose and long. 
Blue waist with moderate V corsage. Z 


~ 


Signed at the upper left, J. J. Henner. 


JOHANN GEORG MEYER VON BREMEN 


GERMAN: 1813—1886 


Ae 
13—GIRL READING | 3 \; 4 


Height, 131% inches; width, 10 mches | 
Apo | 
f, 5 On Aa : 
SEATED on a carved wood chair and facing three-quarters front toward 
the right, a blond midchen is reading a large volume held on her knee, 
her hands clasped over the open pages. She is in gray and white and 
dull red, and wears a blue and plaid kerchief binding her hair. She is 


in a corner of a room of gray walls, and a green vine trails from a 
flower-pot in a window embrasure behind her. 


ou Signed at the lower left, MryrrR von Bremen, BERLIN, 
OS 1879. 


3 


5 


LUDWIG KNAUS 
GERMAN: 1829—1910 


14—-THE POPPIES a 
(Panel) 4 Ye 


Height, 1414 inches; width, 1014 inches 


SOR | i. Sehautthirisr 


THREE-QUARTERS length figure of a young girl with dark brown hair 
curled about her forehead and knotted back of her head, who is walk- 
ing toward the left through a green and yellow hillside field dotted with 
field flowers. She turns her face toward the spectator and holds up a 
large bunch of freshly gathered red poppies in her right hand. She 
wears a white frock over blue, and carries her straw bonnet slung on 
her left arm by its black velvet ribbon. 


Signed at the lower left, L. Knaus, 1882. 


EUGENE DE BLAAS 


AUSTRIAN: 1843— 


15—_THE BRUNETTE 
(Panel) 


At Ye 
e, 

Height, 13 inches; width, 91/4 inches 

r WY Rh9oeleg @. Yah Celene 


Busr portrait of an intriguing young woman with’ partly closed 
eyes, a delicate pink complexion, and dark hair loosely dressed with 
careful carelessness. She faces the observer with head poised over 
her left shoulder. Exposed chest, and coral beads about her throat; 
over her shoulders a light garment with faint stripes. 


rio 


Signed at the upper right, EvucENE DE Buaas. 


From the Dr. Leslie D. Ward Collection, 1911- Hs S/O Ms ey: 


JEAN JACQUES HENNER 
Frencu: 1829—1905 
16—ANDROMEDA CHAINED TO THE ROCK ya 


(Board) : Wie 3 i 
YAS, Height, 14 inches; width, 8 inches oe) y 


ANDROMEDA nude and standing on her left foot, the right knee slightly 
flexed, faces the sheer rock cliff at the left, to which her hands are 
chained at the level of her head, her arms outstretched. She throws 
back her head in weary helplessness, her long hair of reddish golden- 
brown streaming from her back as in a light breeze, her face upward 
and its features unseen, the whole artistic effort concentrated upon 


the presentation of the figure and its flesh tones. The sea in the dis- 


te : : 
a Signed at the lower left, J. J. Henner. 


Purchased from R. and M. Vose, Boston. 


From the Alexander Blumenstiel Collection, New York, 1906 X44. 8M. 5O te 


JEAN CHARLES CAZIN 


Frencu: 1840—1901 


4 : crit 
| 17—LANDSCAPE WITH BUILDINGS ld) 


Height, 14 inches; width, 1034 inches 


G2 07 | dr hiveg Oe yh ) 
__ Bryonp a short cleared foreground dappled with light and soft net- 


tral colors of the short herbage, with spots of bareness, a line of cot- 
_ tages of engaging coloring, and about them shrubbery and brush, 
_ which take delicate tones in the clear sunshine of a bright day. The 
blue sky is filled with active white clouds. Near the cottages a few 
trees, with a single tall one near the centre of the composition, and in 

the distance a green hillside. 
Signed at the lower right, J. C. Caztn. 


ALPHONSE DE NEUVILLE 


Frencu: 1836—1885 


18-ARTILLERY MOVING TO ACTION‘). 


(Panel) 


; i. a” Height, 131% inches; length, 161% inches } 4) g Yi? ig 


On an open battlefield, fringed by cover in the distance on the right, 
an artillery piece is being moved toward the battle front, away from 
the spectator, the horses balking and rearing and wrenching their 
riders’ control in the face of exploding shells; foot soldiers pushing at 
the wheels. At right an officer riding up urges speed. . 


Signed at the lower left, A. bE NEUVILLE. 


cy 


ALBERTO PASINI ak 


Travian: 1826—1899 


19—EARNEST CONVERSATION IN ALGERIA 


Height, 14 inches; width, 1024 mches 


Ar a Moorish entrance in bright sunshine a soldier in blue breeches 
and rose blouse who has dismounted from his dark sorel horse is talking 
earnestly with a tall guardian in red fez and green cloak. Above the 
red tile roof of the creamy building, a glimpse of dark green foliage 
and bright blue sky. 


Signed at the lower right, A. Pastnt. 


JOHANN GEORG MEYER VON BREMEN 
1886 / 


GERMAN: 1813 


| 
 20-THE HOUR OF REST 


Height, 14°4 inches; width, 1114 inches _, ) 
Ls. ge Pein she Ss 
‘ . / 


A rosy maid with smiling and curious eyes, and blond hair whiel/ she 
has allowed to fall free and down her back, has taken time from house- 

work for a frugal meal and a few minutes reading and reflection. She 

is in red, with white sleeves rolled up to her elbows, and wears a long 

gray apron, and seated sidewise on her chair she leans back against 

a gray cottage wall and turns her head to look at the observer. Upon 

her falls the light from a window above the table at which she is : 
sitting. 


Signed at the lower right, MEYER von BREMEN. 


From Oliver Hoyt Collection, New York, 1918.-K 36 < ~/oo0~ 0 theartk, : GA 


EMILE VAN MARCKE 


Frencu: 1827—1890 > 


21—LANDSCAPE AND CATTLE 


Height, 151% inches; length, 22 inches 
: = / 
Wa 5 ¢ Fede 


Low and flattened dune lands in sunshine at the édge of a white sea, 
which glistens in the distance, the light shimmering also on the sur- 
face of a stream in the middle distance emptying to the sea far out 
at the left. On the sands and among the grasses, a white cow and a 
red cow with a white face, lying down, and a black cow standing. 


Beyond them a boat drawn up from an inlet, and an ox cart with 
figures working about it. 


Signed at the lower right, EM. van Marcxe. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


22 LANDSCAPE WITH FIGURE Wr 


Lo st Height, 1014 mches; length, 1334 fey 


4 


At right in middle distance the point of a wood luminously silhouetted 
before a light sky, with reflections of sky and foliage in a pool before 
it and the suggestion of a figure in the shadows. At left a treeless 
grassy bank abutting the stream, and far to the distance a level 
stretch of land or water reaching to the horizon. The light of day- 
break, and in the centre of the immediate foreground a figure standing 
against a slender beech and with raised right hand pointing to a spot 
in the empyrean. 


Signed at lower left, Coror. At lower right the stamp, 
Vente Coror. 


JEAN FRANCOIS MILLET 


Frencu: 1814-—1875 


023 TWO PENCIL DRAWINGS IN ONE FRAME 
2 Height (complete) 19°4 inches; tbe inches 


Oxe a group of several figures, oa a COW, a study apparently for 
-some elaborate composition. The other a figure in a boat, with an- 
other tall figure appearing as walking on the water. 


Signed (each) at the lower leh J. F. M. 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 


24—A YOUNG GIRL EATING AN APPLE 


Height, 22 inches; width, 1814, inches 


LOGE Se ares yp 
pe OP Dr ts 


Haxr-Lencru portrait of a young girl, entering womanhood, figure 
to front and head turned slightly toward her right, a peasant of fair 
complexion for the rough life, with pinkish cheeks, and eyes a little 
tired. She is seated, and leans slightly forward, resting her right 
elbow aud her left. hand on a chairback or ledge which comes to view 
at the bottom of the picture. Her right hand carries to her mouth 
a succulent fruit whose generous size does not tax the capacity of 
flexile lips, and as the juice is yielded the expression of the girl is one 
of placid contentment. She is wearing a coat of mottled and soft 
grayish-green, over a gray-black waist above which a single white spot, 
the tip of an under garment, shows at the throat. Light from the left 
illumines a part of her face and reflects softly from the breast of her | 
coat; the background dark. 


Signed at the lower right, J. F. Mitiet. 


(Illustrated) 


Ne Ea ee 


a 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 


25—LANDSCAPE WITH FIGURES —! 


(Panel) 


Height, 1234 inches; length, 231 inches * 


5 Mn.B. Weel 


AFTER-SUNSET view of a shallow and marshy stream with green banks 
and bordering woods, and a village at centre of the far distance en- 
closed by the trees and dominated by its single church with a pointed 
spire. The stream and its banks fill foreground and middle distance, 
and at the left some small boats are drawn up at a gray shed, and two 


figures are observed near by. The whole in the gloaming of a showery 
day. 


Signed at the lower right, DauBieny. 


JULES DUPRE 
Frencu: 1812—1889 


26—LANDSCAPE AND CATTLE 
ba (Panel) 
Height, 7 inches; length, 9 inches 


—. 2.) Maher 


In the foreground rich green coarse grasses partly in clowd shadow, 
-_ and in middle distance at right two cows and a single white waisted 
| - figure with a red cap, chine in part a slant of sunshine, before 
. a varied clump of trees. At left and in the distance, marshy meadows 
where more cattle are seen, and flat lands dotted with habitations. 


Signed at the lower left, J. Dupre. 


CHARLES LINFORD 


ConNTEMPORARY 


27—_LANDSCAPE 
h Height, 18 inches; length, 26 inches 
{ 


ForEcrounp green meadows are threaded by a meandering brook, : a 


— across which a plain and low board foot bridge and an irregular path 
76 lead to a white farm house in the distance, with an outbuilding oppo- 
site it. To right are tree stumps, and across the backgr ound are green 
woods whose foliage is turning to brown. 


Signed at the lower left, C. Linrorn ; and again on the back 
with the date 1888. 


HANS MAKART 


Austrian: 1840—1884 


23—LEDA AND THE SWAN 


Height, 15 inches; length, 18 oy Wee | 


Lepa reclines on her draperies on the green bank’ of a lily pond, her 
feet dipping into the water and figure turned toward the spectator. 
Back of her the swan has walked ashore and approached with spread 
wings, which she strokes fondly. The group against a background of 
dense green foliage. aan 


Signed at the lower right, H. Maxart. 


BRUCE CRANH, N.A, 


AMERICAN: 1857— 


29—_SUNSET 


Height, 12 inches; length, 16 inches 


MB. 


Licut has faded in the foreground and herbage details are seen dimly, 
on the left, before a dense copse of brownish trees, and over meadows 
on the right, while a stream on the right brightens with subdued re- 
flections of clouds, whose darker sides toward the earth are gray. 
Beyond them the sky is luminous with rich golden light from the de- 
parted sun, and the cloud edges show a rich golden-orange reflection. 


Signed at the lower left, BRucE CRANE. 


DANIEL RIDGWAY KNIGHT 
AMERICAN: 1845— 


30—H AILING THE FERRY 


Height, 22 inches; width, 18 inches 


Th , Ar left shrubbery and a green wood of slender trees Ml olate 


and placid river, its smooth surface a mirror of violet clouds and green 
banks, of bluish and gray boathouses and brown boats, and of creamy- 
white buildings which stand high on the farther shore. In the fore- 
ground a rosy cheeked maiden of the peasantry stands in a gray 
path leading to the water. She is seen in profile to the right, one 
hand raised to her mouth, and calling for a ferryman; in her other 


hand she holds a great brass jug. 


Signed at the lower left, Ripcway Knicurt, Paris. 


THOMAS SULLY -. 
American: 1783—1872 


31—PORTRAIT OF A YOUNG WOMAN 
(Board) 


0. Height, 231% inches; width, 1714 BS v RPthir 
7) ‘ 


Fuut bust portrait of a young lady in a broadly décolleté and simple 
gown of pale olive, partly enclosed by a coat of soft rose hue which 
has been dropped from one shoulder. She faces the observer, with large 
brown eyes bent on him, her finely regular and oval features, with 
cheeks delicately pink, framed by her soft brown hair, which is parted 
and smoothly brushed down the temples while a single elongated ringlet 
droops to her neck back of either ear. She wears a broad and dark 
hat, set at an angle, and trimmed in rose with a touch of blue. Dark 
neutral background glowing with emerald lights. 


Found m Paris a generation ago. 


THOMAS SULLY 


AMERICAN: 1783—1872 


32—PORTRAIT OF THE ARTISTS DAUGHTER 
‘ “ROSALIE” 


/ Height, 17 inches; width, 14 inches 
ISS. : eae 


A PLEASANT-FEATURED young woman, with small mouth, and large eyes 
whose color almost matches the rich and soft brown of her hair, 
save that the hair trends toward a warm reddish hue in its deeper 
masses; sensitive nostrils, and creamy cheeks flushing to rose. She 
is observed head and shoulders, the figure to left and shoulders nude, 
and her face turned to the spectator, and she rests her chin on her hand. 


Note: Engraved. 


ALEXANDER H. WYANT, N.A. 
AMERICAN: 1836—1892 


id Height, 1214 inches; width, 91% in se 


A do In the woods with a painter who loved them an seh er at- 
| mosphere as well as their forms and colors to his canvases and their 

ne admirers. A woodland way leads with easy wanderings from an open 
“| 75 ' foreground to a distant clearing, trunks tall and brown and gray and 
trunks slender on either hand; overhead for some distance the um- 
brageous arch is a dense and deep green with patches of autumn 
brown, and farther away the branches part and reveal glimpses of the 
sky. In the foreground a small spring pool, and in the middle distance 
a girl in a white cap seated on the ground. 


Signed at the lower right, A. H. Wyant, 1877. 
‘From the George A. Hearn Collection, New York, 1918. 44+ 5 Go0- th 


2 
: 


ian SC CHARLES JOSHUA CHAPLIN 


} a) 
Pe ae () ; Frencu: 1825—1891 


j 34—PREPARING FOR THE BATH 


Shs. Height, 161/, inches; width, 10%, inches € 6. Y pacomaey A 


In the foreground and facing the spectator, a young woman stands 
| nude, holding with arms crossed at her breast a gauze drapery which 

falls to her feet. Her head is turned slightly toward her right shoul- 
| der, and her lower limbs are reflected in the water of the pool into 
4 which she is about to step. At either side a flower basket and an old- 
rose drapery; the surroundings light woods and shrubbery. 


Signed at the lower left, Cu. CHaprr. 
From the. Charles Stewart Smith Collection, New York, 1918.-#/07., Po IS ke 
[XX 


ee eee 


FRANZ VON DEFREGGER 
AvusTRiAN: 1835— 


(35—THE LOVE LETTER 
AA (Panel) 


peau igh “14 inches: width 14 wcl 
i 34-0 Height, 1714 inches; width, 114% mches 


y ; 8 : G, 
STANDING in a gray informal pathway, which has just led her through 
a farm gate and along a steep green hillside, a blond maiden of the 
upper peasantry who faces the spectator on her way to the right is 
reading a love letter as she pauses. Its contents give her a happy 
expression. She wears a broad hat covering her braided hair, and she 
holds in her hand a heavy farm rake. A blue apron rolled up exposes 
her brown-gray skirt, and she wears a dark and open sacque over a 
red and green waist. 


“Signed on a rock at the right, DerrEccER. 


From the Peter A. Schemm Collection, 1911-#2N3 “PTS. Xb, — 


= 


FERDINAND VICTOR LEON ROYBET 
Frencu: 1840—1920 


36—A PLEASED CAVALIER 
(Panel) 
Height, 15°84 inches; width, 1214 inches 


5 / 
) a 
23 0, 4. Diets. 
) 3 Wrrutn the entrance of a gray room with stained glass wiridows, step- 
| ping forward and toward the left a tall cavalier is observed, hat in 
hand and casually bowing, and smiling in greeting someone unseen by 
the observer. His face is in profile and his smile eager. He has black 


hair and wears a white ruff, an elaborately adorned emerald doublet, 
and knee skirts of dark aubergine hue; sleeves and boots gray. 


Signed at the lower left, F. Royser. 


~ 


AUGUST FREDERIC ALBRECHT SCHENCK 


GERMAN: 1828—1900 


37 _SHEPHERD AND FLOCK . 
IN A SNOW STORM 


Height, 15°4, inches; length, 1984 imches 


50. W, 4, Me 


THE snow lies deep on level ground and on gentle slopes, whil¢/ rocks 
uncovered are seen outstanding at left and right. Through a broad 
level stretch between the rocks a shepherd leads his sheep, away from 
the observer and toward a golden setting sun which casts long shadows 
over the snow, while the wind drives drifting snow into the faces of 
man and animals. 


Signed at the lower right, ScHENCK. 


DIOR BERGLER 


Bouemian: 1759—1809 


 88--NYMPHS AT THE BATH 
| | : 
_ Height, 16 inches; length, 231% inches 


E ee Sau Skid fo 
____ Ar a fountain pool in a grotto of a wooded park six nymphs have ( 


Vv. gathered, some seated and some standing, with feet in the pool, some 
busy at toilet after the bath and some idling in repose. No two are in 

like attitudes, and all are nude save for variously disposed draperies 
____ of olive and blue, white and purple-rose. 


DIOR BERGLER 


BoueEemian: 1759—1809 


39—TOILET OF VENUS 


I } Height, 16 inches; length, 2314 inches 
\ 


4 Venus nude with an azure drapery thrown over knees is seated before 
** a draped background, one of her maids in pale orange adjusting her 
; sandals and one in pale olive dressing her hair, which is adorned with a 
rope of pearls. Others attend, one in mauve and one demi-nue. 


Distant at left, a landscape. 


BELA VON SPANYI 
Austrian: 1852— 


40—IN THE WOODS 
(Panel) 
Height, 18 inches; length, 22 inches 


Ar right and left tall beeches rise at the border of a foreground pond, 
and a pile of brush has been gathered at the right. At the edge of 
the water, on the farther side, a number of cows of various colors 


have assembled, from a meadow in a middle distance soars which 
is lighted from a bright blue and white sky. 


Signed at the lower right Spanyi, P., 1888. 
Evhibited at the International Exhibition, Munich. 


EMILIO SANCHEZ PERRIER 
SpanisH: 1853—1907 


41— SPRING IN ALCALA 


(Panel) 
Height, 161% inches; length, 22 imches 


UW. 


Mipway of the picture, at the centre of the middle dist ce, a slow 
moving river emerges from the right, between banks clothed with bushes 
and bushy trees whose spring foliage is in delicate notes of soft green _ 
and soft bluish-green. Across the background is the crown of a gently © 
sloping hill, its surface the soft brown of a freshly plowed field. The 
stream coming forward ‘placidly, reflects the hill and its own green 
banks. At left near the foreground a boy sits fishing. 


Signed at the lower left, EK. SAaNcHEZ PERRIER. 


- 


AIME PERRET 


Frencu: 1847— 


42 GIRL WAITING FOR BOATMAN 


/ 
| () Height, 18 inches; length, 2184 inches 
| 4 


age Ge: 

‘A Kat Ko ALE 
| aN a narrow river winding between green banks dnd sparkling with 
color in the reflections and refractions from a lumineus sky, an old 
boatman is rowing in the foreground toward the bank at the left, where 

a peasant girl stands at the water’s edge and near the end of a plowed 
field, an empty basket beside her. She is in brown and red, and heavy 
sabots, and already is exchanging speech with a sister in the approach- 

ing boat. 


Signed at the lower left, Aimé PERRET. 


ALFRED VON WIERUSZ-KOWALSKI 


PouisH: 1849— 


43--RUSSIAN STREET SCENE AT NIGHT 


Height 26 inches; length, 19 inches 


+ 
he 
/  Yacur from a moon unseen, in a sky from which shower clouds are 2 an 1] 
V0. appearing, glistens on the surface of a broad street or road in a con- oa 
\A siderable but scattered village, many of whose houses are seen in the 
y background and others nearer by at right and left. Coming toward 
‘the spectator is a carriage and four, with bright lamps beside the 
driver, who whips up his hastening team. To rear is a peasant’s ve- 
hicle with two horses, and a led horse beside it, and at hand men stand 
in conversation. 


Signed at the lower right, Aur. Wierusz-Kowatskl. 


From the Isaac Stern Collection, New York, 1912-#/26 2 ys O-~ b.4, Mew 


ee 


ney (ethas otros 


JOHANNES HUBERTUS LEONARDUS DE HAAS 


Beuteian: 1832—1880 


44—CATTLE AT PASTURE 


| / [) ¢ (Panel) 

| ) 5 ; Height, 18 inches; length, 25 inches . 
ae | 
| 0 Y , 2B 1 } 
| Routure fields of flat lands in the Low Countries are gréen with lus i - 


and deep grass and sprinkled with patches of weeds of differing color, 1, 
and extend far and wide, with habitations indicated in the distance. : 
Under a sky laden with moisture but with the high sun casting 

shadows, cattle wander and graze, and in the foreground a white and : 
black cow and two red and white ones face the observer. | 


Signed at the lower right, J. H. L. pz Haas. 


JEAN BERNE-BELLECOUR 


Frencu: CONTEMPORARY 


45—MOUNTED SOLDIER 


\0 : (Panel) 

{ 

/ Height, 2114, inches; width, 16 inches y, 
10, 2K, OLLLK. 


Own a brown horse with black feet and white nose a soldier in blue trou- 
sers, red coat and bearskin cap sits facing the right, holding a musket 
across his saddle-bows. Green grass and sandy earth, and in the back- 
ground trees and a hedge and beyond them some town buildings. 


Signed at the lower right, Jean Berne-Beviecour, 1908. 


} 
i 
X 


JOHANN GEORG MEYER VON BREMEN 
GERMAN: 1813 


1886 


46—THE FLOWER GIRL 


J; | S ee Height, 2114 inches; width, 15 inches F Sh 
Teun ic : ian. 
A pLuMpP, rosy and smiling young girl who has gathered a large bas- 
ketful of flowers is walking toward the left m front of a dark wood, 
and pausing a moment directs over her left shoulder a pert and pleas- 
ant smile at the observer. She is in a broad but soft light against the 
dark background, and is depicted at three-quarters length. She wears 


a white underwaist with a short green bodice, and a dark skirt, with 
a red kerchief tied about her shoulders. 


Signed at the lower left, Meyer von Bremen, Bertin, 
1882. 


GABRIEL CORNELIUS VON MAX 


GERMAN: 1840— 


os 47—-GIRL’S HEAD 
= + 
\ |): Height, 20 inches; width, 1614 egy 


| UU, ot ens Ken : 
eee Heap and shoulders perieaie of a blond young lady Pactehe F 


k 
| ! soulful brown eyes, to left, three-quarters front, her face in a full soft 
: i G light against a dark nebulous background. She leans forward upon 
her right elbow, with the right hand brought up to support her chin, 
and the hand and her loose and wavy blond hair share in the light that 
_ so softly illumines her face. She wears a black cap, with a loose flap 
_ overhanging on her right. - 


Signed at the upper right, G. Max. 


=a 
j 


From the Isaac Sain Collection, New York, 1912.-%, tA. fh 2S: 4 XI, tMlcey | 


JOHANN GEORG MEYER VON BREMEN 


GERMAN: 1813—1886 


48—BLIND MANS BUFF 
| 60" yf ay A, Height, 22 inches; width, 18 inches ee. "We ; / 


| Hire behind a round-arched heavy wooden door which opens toward 
i the observer, and under a table in the forward room, a young girl and 
| three smaller children in silence aim to elude a little girl Dn rce 
who enters from the rear room. She carries a doll, and “peeks” 

i little as she enters. On the walls are kitchen utensils and on the Hen 


i 


3 
al 
- 
H 


some vegetables are lying. 


Signed at the lower right, Mryrr von BreMEN, 1861. 


| From the Isaac Stern Collection, New York, 1912. -F/OK + Yio 8b, Mary 


MK £919, fora hh fL. tect Sarco Monten Jo BE PREX + 
Sold. Seanad Mewes bub 1887. BMKKK 


LUDWIG KNAUS 
GERMAN: 1829—1910 


49—THE AGED KNITTER AND HER PET BIRD 
Height, 2214 inches; width, 1814 inches 


Ses [AMAL bit4 


SEATED on a high-backed chair upholstered in green an old woman in 
a brown dress and black sacque has paused at her knitting and in- 
terests herself in a white bird that has come out of its cage and stand- 
ing on her work basket has caught a strand of her working material 
in its beak. She is white haired and wears a black cap, and a red 
kerchief about her neck. 


Signed at the lower right, L. Knaus, 1876. 


JEAN JOSEPH BENJAMIN-CONSTANT 
Frencu: 1845—1902 


50—PORTRAIT OF A YOUNG WOMAN 
f IN A CHARACTER PART 


() Height, 24 inches; width, 191% inches ; ry al 
130. Nagas 


) 

| Hieuty decorative portrait, at half-length, of a tall and queenly young 
woman whose red and golden hair, parted at the centre of the fore- 
head, falls loosely but with careful direction before and back of her 
shoulders, and is surmounted by a golden and jeweled crown from 
which elaborately mounted medallions depend at either side of her face. 
Décolleté waist of deep cerulean tone, with a golden and jeweled sleeve- 
less mantle over her shoulders. Figure to right, three-quarters front, 
and face turned to the front over her right shoulder. In her right 
hand a large clasped volume with jewels set in the binding. 


Signed at the lower right, Bensn. Constant. 


JEAN BAPTISTE EDOUARD DETAILLE 
Frencu: 1848—1912 \ 


51—-COMMANDER DIRECTING 
‘ A CAVALRY CHARGE 


" Pe ; Height, 24 inches; width, 20 inches ie 2 6, 


A patntine which won the award of the Grand Prix at the Salon. In 
the foreground a high officer in brilliant uniform and wearing his dec- 
orations, riding a black charger which is headed away and toward the 
right, turns in his saddle and looks back directly at the observer; a 
portrait. At his side and a little arear at left, his bugler on a white 
horse is sounding the charge, and at right in the distance the red 
coated cavalrymen are galloping ahead. 


Signed at the lower left, Envouarp Derariir, 1895. 


JOSE DOMINGO 
SPANISH: 1843— 


52—CAVALIER DRINKING 


) 4 (Panel) 


Height, 2544 inches; width, 18 inches Z q Nols. 


gs TALL man in crimson garb, with slashed sleeves, breeches coming 
‘half-way below his knees, and a loose and wrinkled broad-spreading 
white collar stands astride a bench at an inn, a refreshing glass half 
emptied in his left hand and his right hand raised in happy gesture 
toward the observer. He rejoices and laughs in initial inebriety, hail- 
ing the expectation of a convivial companion. His large hat is on 
the floor and a pitcher of his favorite tipple on the bench. Beyond a 
pillar two other men are visible. 


Signed at the lower right, Dominco, 1881. 


From Alex. Blumenstiel Collection, New York, 1906.-#6/ p/000- Seote rLley 


FRITS THAULOW 


Norwecisan: 1847—1906 


583—COTTAGES ON THE BANK . 
OF THE MILL STREAM 


(}; Height, 26 inches; length, 32 inches 


leg bok dus Wa 


Enterine the picture in the middle distance at left, about a low green 


point, a gray stream comes forward rapidly, broadening to occupy the ~ 


entire foreground, its rippling surface colored with the shadows of 
tree trunks and the reflections of brilliant spring blossoms, which line 
the farther bank in the distance and on the right. Beyond the flower- 
ing shrubbery and trees stand gray and creamy cottages with roofs 
of various colors, under a robin’s-egg sky veiled with light nebule. 


Signed at the lower right, Frirs THautow. 


LUDWIG KNAUS 


GERMAN: 1829—1910 


54—OLD MAN SEATED AT TABLE 


Height, 28 mches; width, 19 inches 


Drowstne over his humble refreshment of sausage and a glass, an old 
and wrinkled, clean shaven man faces the spectator as he leans back 
against the wall of a gray room, in a corner of which he is seated. 
He is in brown and red and green and white, and wears a soft black 
cap. He leans his head upon his left hand, with elbow resting on the 

wooden table at his side, where a gray cat sits quietly keeping him _— 


company. 
Signed at the lower right, L. Knaus, 1874. 
LEO LERCH : 
GERMAN: CONTEMPORARY 
55—REPOSE 
z (Oval) 


"\ \ 9, Height, 25 inches; width, 20 inches 


ies : 
A D. Oy. ee Cad pines 
Recrinine after a bath, a meditative beauty of youthful years is ob- ; 


served at less than half-length, her body prone, her head raised against 
a tall white cushion and an arm thrown back over her head. Light 
from above illumines her soft red hair and reflects from her nude breast, 
while her face is thrown into transparent shadow. - 


Signed at the left centre, Lro Lercu. 


JULES WORMS / /j/ 


fg 
FrencH: 1832—1881 ( ) LAY ees 


56-—SPANISH STREET SCENE™ ~ 


| Q. Height, 20 wches; length, 24 inches 


ksw., fey 


AN open space in a Spanish town, with white and grayish buildin 
with brownish roofs at either hand and forming angles with a trans- 
verse street in the middle distance; more buildings and a brown moun- 
tain in the background. In the foreground a padré on a white ass, 
a man and woman in gay colors contemplating a gig whose standing 
driver offers his services, and other figures beyond the group. 


Signed at the lower left, J. Worms. 


AIME PERRET 


Frencu: 1847— 


57—LA TRICOTEUSE ‘ 


«3 
Height, 284 inches; ie: we ; 


SEATED at the foot of a tree, one of two of somewhat sinuous trunks, a 
tall young peasant woman is knitting with blue yarn; she wears a dark 
green blouse with a tawny skirt which takes the blouse’s color reflec- 
tions, and a red cap. She faces the left, three-quarters front, and 
looking up from her work gazes into space. In the green countryside 
beyond her are cottages, and a shepherdess who stands guarding her 
sheep. 

Signed at the lower right, Aimé PERRET. 


A A i ht rt lt 
a aR * A oe 
1 ot 


ALEXANDRE GEORGES HENRI REGNAULT 
Frencu: 1843—1871 

| a 

| 3 58—_ALGERIAN DANCER 

| Height, 32 inches; width, 234% mches 


On a long Oriental rug of warm red, simply decorated’ in green and 
- “black, a tall and dark skinned girl of robust yet supple development 
is dancing,—caught momentarily in a pose singularly graceful, not- 
ably in the nude upper body; from hips to ankles she is enwrapped in 
a varicolored garment of lateral stripes. Jeweled bracelets and golden 
chains adorn arms and bust, and in the dark, bushy hair massed above 
her shoulders are thrust leaves of red and green. Seated on the floor 
at her side a younger girl, with face in shadow, plays music for her 
on a lute. 


Signed at the upper left, H R (monogram). 
From the Hazeltine Collection, Philadelphia, 1913. 


Ma oe 


HENRI HARPIGNIES 


Frencu: 1819—1916 


-59—LANDSCAPE 


e's Height, 24 inches; length, 391 inches 


\ 

A 

TaN ; ed 

+78 

Ar right a clump of trees, silvery and gray, slender and stout, standing 
in grass between a narrow footpath and a pond, over which one of 
them leans far, the tops of the others rising above the picture. At 
left, across the pond, some pollards, with rushes rising from the water 
in front of them, and in the distance green rolling fields dotted with 


trees turning to autumnal hues. 


Signed at the lower right, H. Harpientes, 1882. 


MM. 


i DAVID ADOLPHE CONSTANT ARTZ 


i) UT 
German: 1837—1890 


60—KNITTING AT THE BEACH 


Height, 2414 inches; length, 35% inches 


Own a sand dune overgrown with grass of soft green hue and dotted here tests, 
small wildflowers of yellow and white, a young Dutch woman in a white 
cap and wearing a suit of tawny tone is seated, knitting. Over her lap 
is spread a black apron or robe, against which falls the soft. purple 
of her knitting. She is observed in profile to left, and further to left 
in the middle distance a sloop-rigged working boat has just been run 


upon the beach, and figures appear in the shallows about it. 


Signed at the lower right, Arrz. 


PIERRE AUGUSTE COT 
Frencu: 1837—1883 


61—IDEAL HEAD OF A GIRL 


tee4 Height, 28 inches; width, 22 a D | ] 


Emercine from between white and greenish silken curtains after her 
J W Ovath, a young girl stepping from the right toward the left turns her 

pretty head and looks across her left shoulder toward the observer, 

smiling, and raising a finger to her chin; her nude shoulders appear 

above the curtain folds, and down her shoulders hangs her long light — 

brown hair. | 

} Signed at the lower right, P. A. Cot, 1859. 


From the Paul Morton and Mrs. R. G. Dun Sale. Sy lh ~ #04 Bil0- 


FREDERICK HENDRIK KAEMMERER 


Dutrcu: 1839—1902 


62—SITTING FOR HER PORTRAIT | | | 


Height, 32 inches; width, 22 imches 4 
1 \ A nicx and well lighted Old World studio, and an old artist in white 4 
xf peruke on an extemporized seat at the right, painting on a large oval | 
3 df) , canvas which is fixed to his easel, and studying his sitter. The artist 
is in a brown Court coat and knee breeches, with white stockings. His 
sitter, a lady of the period, wears a rose gown whose ornamentation is 
silver-white, waist tight and low cut; powdered and high coiffure. She 
is seated in a tapestried armchair with her feet on a tapestried cushion, 

on an improvised model stand—a packing-box called to this service. 


Signed at the lower left, F. H. KAEMMERER. 


From M. Knoedler & Co., New York. 
(Illustrated) 


FRENCH SCHOOL 


68—_THE EMPRESS EUGENIE 


Height, 32 inches; width, 26 inches 


Porrrair at a little more than half length, standing; in a conserva- 
tory, and all but embraced by the laurel-green leaves of her floral back- 
ground,—a bank of rich and beautiful rhododendron, a glowing crim- 
son bloom of which she has plucked and holds in one hand. The beau- 
tiful Spanish woman faces the observer with a pensive smile. She 1s 
clad in a simple garment of soft white, lightly pinned with gold at the 
arms and drooping from her shoulders, revealing her breast. Her right 
hand clasps the folds of a rich mantle of mauve which hangs about her 
arms. 


| pA, 


PROF. ELIMAR ULRICH BRUNO PIGLHEIN 


GERMAN: 1848—1898 


64—M ADONNA AND CHILD 
Height, 3414 inches; width, 32 inches 


144 ite 


Aw unusual and very modern figure, for the Madonna, a young woman 


standing rigidly erect and appearing at three-quarters length, and 
holding within her left arm an equally modern and unusual boy to be 
used as a type for the Child. The Mother is clad in brown, and carries 


a purple-rose mantle on which she holds the Child. A black veil crosses” 


her breast, and a golden. nimbus encircles her head, Background 
aerial and sombre. i ; 


From M. Knoedler & Company, 1890. | 
From the collection of Col. Henry Thomas Chapman of Brooklyn. 
(Tllustrated) 


EDWARD GRUTZNER 
GERMAN: 1846—1 878 


65—-MONKS MAKING WINE 


Height, 2114 inches; length, 3414 imches 


Or. €. 


In a capacious wine cellar heavily beamed and pillared, and well high d 
froma high window and a portcullised archway, monks and their as- 
sistants, incluing young women and an old woman and a youth, are 
busily at work at wine making. Black grapes fill a huge vat, and a 
gray donkey has entered bearing a burden of white grapes in a great 
basket. A cardinal has called, and a , young woman offers him Bares 
which he is tasting. 

Signed at the lower left, Ep. Grurzner. 


= NOE RET IY IEE As 


AR Codgent. J j 


a a se . > Pe emp amen unl — Se RG Pe ps a A RT LT 
a a amma ame ie SR 


a 


66—ON THE RIVER 


Facine the right and three-quarters front a young Dutch pl 


DAVID ADOLPHE CONSTANT ARTZ 


Dh Feet 
~GrermMan: 183'7—1890 


Height, 211% inches; length, 32 inches 


2 


A park gray boat heavily built and propelled by heavy sweeps lies _ 
athwart the view, in the foreground, on a broad and placid pastoral 
river which takes a sylvan aspect at various points along its borders. 
In the boat a youth and a maiden, the boy in red jacket and the girl 
in a dark shawl, accompanied by an older woman well wrapped up, 
who is seated in the stern; they are being rowed about by a second 
young man. 


Signed at the lower right, Arrz. 


JOSEF ISRAELS 


Dutrcu: 1824—1911 


67—_THE MOTHER AND HER CHILD 


Height, 361% inches; width, 314% mches 


mother is ‘seated in a low side chair in a cottage room, with light from 
a small window on the right falling upon her exposed breast and on 
the head of the white capped baby which she is suckling. She is in a 
gray-brown waist and dark blue skirt and wears heavy sabots; the 
child is frocked in reddish-brown. On a table before her, with a rush- 
bottomed chair beside it, are a few objects which share in the window’s 
meagre light, the rest of the room being sombre, the light barely de- 
fining the reddish tile floor. 


Signed at the lower right, Josr¥r IsraxEts. 


(Illustrated) 


FRANZ VON LENBACH 


— GrerMan: 1836—1904 
jun 


68—PRINCEH BISMARCK 


\ j0. . Height, 371% inches; width, 3414 inches 
\ \y 


i : 
db ads portrait, carried nearly to half-length, without the hands; facing __ 
the left, three-quarters front; dark background, a strong light on the 
face. The Iron Chancellor, rigid and with determined look, gray and — 
seamed, is portrayed in uniform and a great fur cloak, and wears an 
order on his breast and a glistening helmet. 


Signed at the lower right, F. Lennacu, 1896. hie . 


Purchased from the Wm. Schaus Galleries. 


z y) , i 
From the Loring Collection, New York, 1917-% Dio «Mle 1b, CU} 


eas -46500.7 D.G.de A. | 


a ame: agian 
= “a i eee Ae 


4404 


Le. vt Sekt 


BENJAMIN LOUIS arch VAUTIER | 


(GERMAN; 1829—1898 


69—THE DILIGENCE STATION 


Height, 3334 inches; length, 51 mches y Ny f 


Ix the interior of a post station floored partly in boards, See Ine 

tiles, a miscellaneous company of travelers, waiting. A bearded motel ¥ 
reads his prayer book, a pretty girls looks pensively ata gold piece — 
while an admirer studies her, a gallant refreshes himself with wine and E 
ogles the serving-maid, hungry children cling to an humble mother — 
who regards wistfully a stout man regaling himself heartily with kid- — 
neys. An inn of age, with a pierced chair carved “1792.” The persons — 
appearing number fourteen. sce | 


Signed at lower right, B. Vautier, "78... 
From the John H. Converse Collection, Philadelphia. /G//- Pa LS. _ pa ; ne 


FrvnNt_DX BeslidD. NarkColeetixn, Nxw Nork, NON. 


=" " MIBALY MUNKACSY. am 


Huncarian: 1846—1900_ 


70—THE FIRST BORN ae 

a (Panel) Ya 

a 0 Height, 4214 inches; length, 58% inches ye 

2/60. d, Cth uA 

In an interior variously furnished and decdrated in rich ‘colon: a on | 
mother gowned in turquoise-blue trimmed with ‘white and black is 
seated in a high-backed chair on the right, gazing fondly toward the 
object of her greatest interest, on the left, There two of her young 

women friends who have called are admiring with smiling faces her — 


lately arrived offspring, held in the arms of the nurse, wee is also | 
smiling. | 


Signed at the lower right, Monetase 1879. 


WILLIAM ADOLPHE BOUGUEREAU > 


Frencu: 1825—1905 


T71I—THE LITTLE POUTER 


ra | | 
Height, 4914 inches; width, 34 inches 


As f ). = : he Z 
\o2 (58 b, aay) ; 
SEATED on a low chair near a. fireplace a barefoot little gir “. with light ja 
brown hair neatly done in waves and braids, rebels at “taking up her — 
knitting,” and with finger at lips she looks at the spectator and away — 
_ from an older sister, or a young mother, who seated beyond her smil- — 
ingly urges her to “be good.” Both figures and faces notably expres- 
sive; the child’s apparel depicted in notes of gray with white accents, — 
the elder girl’s displaying a soft red in the ornamented waist, above — 
a soft blue skirt; the whole against a suave background of gray with 
smoky shadows. On the wall, utensils of copper and brass. 


Signed at the lower right, W. BoucuEREAu, 1888. 


*s 
—— SAS ee pes epee — 
= oe eaaapeneceamman sie SS A A REL RN RA SOR Ee ee om eam 


WILLIAM ADOLPHE BOUGUEREAU 


FRENCH: J 825—1 905 


72—SONG OF THE SHELL 


4 Height, 51 inches; width, 3324 inches 


AD yesg. dnit agra 


\ A FAIR-HAIRED and blue- eyed young bather of generous proportions, — 
nude and in a bright and soft light before the entrance of a dark grot- — 
to beside the sea, faces the spectator as she kneels on one knee on the © 
white-yellow sand. With raisd arm she holds in her right hand a shell 
to her ear, her head poised gracefully, and with her left hand she 
gestures silence, that she may hear the music from the mysterious 
depths of the shell. In the background, heya a, crag of the grote q 
a glimpse of the blue sea. | 


oe? ae 


Signed at the upper left, W. Bovcurrrav, 1885. — 
Purchased from E. Le Roy & Co., Paris. 


From the Charles Clarke Collection, New York, 1913.<#/4A4 Stoo. 
40, Gk 


i ‘ ' \ 
We AK wa Ane Alaa pe/ 
” te) ' QIRA Rae OBS Ftle 


ve 
‘ 


JULES ADOLPHE BRETON | 


Frencu: 1827—1906 


73—THE HARVESTER 
Paks 
y 
sa : 
45- G61 
Futr-renctu figure of a robust French peasant girl, barefoot and 
bare-armed, standing and facing the observer, with sheaves of wheat 
burdening her shouler. She wears a light waist and dark skirt, and 
has paused on her homeward way across the fields, the sturdy, grace- 
ful figure and its rich harvest burden appearing in the sombre light 
of gloaming before a darkening sunset sky. is 


Height, 68 inches; width, 3484 inches 


a ee SS IC ep. ree uneecae pre amaninesnommenrncmemmremneryes com ecosseso cae — 


Signed at the lower left, Jutes Bunton, 


er 


£9) fe 5 She’d come again, and with a greedy ear. f 


BENJAMIN LOUIS MARC VAUTIER _ 
GERMAN: 1829—1898 


74—ALSATIAN WEDDING ; | 
v6 Pe Height, 35 inches; length, 58 “a ry 


More than two score men and women, girls and children, are assembled 
in a spacious high-paneled room with a ceiling of heavy beams. On a 
platform are Rechooricne musicians. Most of the maidens are lined 
up against a wall and facing the observer, their peasant costumes of | 

brilliant colors, and the bridegroom is offerig them wine. . 


Signed at the lower right, B. VauTier. : 


JEAN JOSEPH BENJAMIN-CONSTANT 
Frencu: 1845—1902 


75—-OTHELLO AND DESDEMONA 
Height, 3334 inches; Tees 5114 mches 


Othello: Her father loved me; oft invited me, 
Still question’d me the story of my life, 
From year to year; the battles, sieges, fortunes 
That I have pass’d. 
These Sava to hear 
Would Desdemona seriously incline: a 


Devour up my discourse. 
Act I, scene III. 
In a gondola richly furnished, propelled across the blue-green water q 
of the foreground, the aged Brabantio and his fair daughter are lis- — 
tening to the story of the Moor, who faces them. Desdamona leans 


forward, right elbow on the gunwale of the gondola and hand sup- : 


porting her chin. Her venerable father at her side with an arm ex- — 


tended behind her wears a gold and white cap and robes of cardinal — 


and ermine. Othello also richly appareled holds in his hands a scroll. 
In the background are sails, the Ducal Palace, the Campanile, St. 
Mark’s and other buildings. 


Signed at the lower left, BENat-ConsTAnrtT. q 


From the Mrs. Adelaide Yerkes Collection, New York, 1912. $01 Xs 


SECOND AND LAST EVENING’S SALE 
FRIDAY, APRIL 20, ae 


IN THE ASSEMBLY HALL 
OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O CLOCK 
Catalogue Numbers 76 to 155, inclusive 


‘ NOTICE: The pictures described in this Catalogue under 
Nos. 1 to 145 (inclusive) were collected by Mr. D. G. Derry, 
of Catasauqua, Pennsylvania, and are to be sold by order of 
Grorce A. Post, Joun P. Macurre ann JosEPH M. Pros- 
KAUER, as Receivers of the D. G. Derry Corporation. 
Rounpbs, ScHURMAN AND Dwicut, Attorneys. 


76—RUSSIAN ICON 


Height, 10 inches; width, 8 inches 5 


-Parrep and enameled, with rectilinear plate and frame; set in a sha- 
dow box. The Christ, facing the observer squarely and directly, His 
right hand in the posture of blessing, and holding up in His left hand 
the open scriptures. 


JOHANN ROTTENHAMMER 
German: 1564-1625 


77—ADORATION OF THE MAGI 
(On copper) 
Height, 12 mches; width, 9 inches 


e- Q. 


Tux Virgin standing with Joseph at her back presents the nude Child 
to the visiting kings, who kneel and bow in devotion as they offer 
their gifts. They are in richly colored robes, as are their followers, 
who appear in numbers. Altogether nearly a score of figures are de- 
picted. Architectural and landscape background. 


ATTRIBUTED TO 


ADRIAAN VAN OSTADE 
Dutcu: 1610—1685 


78—THE ARGUMENT 
(Panel) * 


gy} q), Height, 11 wches; width, 9 "oe Rit yvh. : | 
‘ : ~ 


Ar a plain wooden table in a plain room two plain people are in warm 
conversation, a middle-aged woman and a man of her own age. The 
woman seems to be doing most of the talking, and the man is listen- 
ing with mouth open in a smile that seems not to be altogether one of 
enjoyment. She is in green, with a white cap, he is in reddish-brown. 


Signature at lower left, with date 16...., not easily de- 
cipherable. 


240 


=} w 


AEN ee Reng A a 
J 3 r 


| 4 3 ii oa | Height, 26 inches; width, 20 ye f 3 


Le. 


BARTOLOMMEO CAPORALI 


Trantan: 1444—1492 


79—VIRGIN AND CHILD 


(Panel) 


‘ . 


THREE-QUARTERS-LENGTH standing figure of the Virgin, a very youth- 
ful maiden with sandy-blond hair neatly parted and drawn down toward 


_ her shoulders under a light scarf which enfolds her head. Figure to 


front, her face, of small features, bent slightly downward and to her 
left, upon the nude Child she holds in both arms. He holds in His left 
hand a globe surmounted by a cross, and raises His right hand in 
blessmg. The Virgin is clad in rose and green, with gold ornamenta- 
tion on the green mantle. -Gold background. 


ALBRECHT DURER 


GERMAN: 14'71—1528 


80—ECCE HOMO 
(Panel) 


Height, 14 inches; wedth, 101% inches 


Busr of the Christ with hands crossed upon His breast and wearing 
the Crown of Thorns, from which blood trickles down His brow and 
cheeks. He faces the observer, with head leaning slightly over His 
left shoulder and hair falling to both shoulders, and He is clad in a 
red mantle. 


ATTRIBUTED TO 


JEAN BAPTISTE GREUZE 
Frencu: 1725—1805 


s1—_SAVING GRACE o rn lek 


i Height, 181% inches; width, 1514 mmches 
wy ‘ 


Aw humble cottage interior, in a mellow light; at an angle a plump 
young mother in a short blue bodice and dark purple-red skirt, en- 
wrapped in the voluminous folds of a white outer garment and her head 
encased in a loose white cap. She is portrayed at full length, seated 
and facing the spectator, and while she holds a spoon and jug in either 
hand, waiting, she looks down at two small children at her side who 
with hands in posture of prayer give thanks for what they are about 
to receive, 


From the Salvador de Mendonca Collection, New York, 1916.99 1c PIOO +4 


*. = a My pire nd 


Sk ree 


SCHOOL OF 
FRANCOIS BOUCHER 


Frencu: 1703—1770 


| 82-SLEEPING NYMPHS 
| SURPRISED BY SATYRS 


Ly 0. ioe ere ay TW. 
| 


Height, 1714, inches; width, 14 inches 


| In a secluded spot at the edge of a wood, and within the confines of an 

abandoned park, as indicated by a sculptured urn at one side, four 

_ garlanded bacchantes nude or with scant draperies are lying in various 
postures asleep in a familiar group. From the right in the back- 

. ground two satyrs have come upon them, and halt with difficulty. 

; 


i From the collection of N. Riabouchinski, New York, 1916.4, P7004 XV, $. Meri 


PETER PAUL RUBENS 
Friemisu: 1577—1640 
AND 


JAN (VELVET) BREUGHEL 
FLEMISH : “ap 


> aa Y beh led 
yy Mo) F (On Copper) 


Height, 151% inches; width, 121% inches 


In an oval medallion the Madonna in sitting posture at three-quarters 
length, holding the Child on her lap and offering Him suckle. The 
Mother in rose and dark.green, a young woman of animated expression, 
with golden-red hair; the Child nude. Surroynding the medallion 
a wreath of brillant flowers. Dark background. 


From the Kletnberger Galleries. 
From the Ferdinand Herman Collection, New York, 1918- - $50- oe | 


AFTER 
PETER PAUL RUBENS 


Fremisu: 1577—1640 
 84-HOLY FAMILY 


| if p eo Height, 22 inches; length, 28 inches h- a Pea ic. | 


_ Mary, a young woman ie oval ees rosy cheeks and keen eyes, is 
_ seated, portrayed at full-length and facing the left, with eyes directed 
| across her left shoulder; leaning to her right, she places an arm around 

~ the neck of the infant Christ, nude, who half stands, half sits, at her 
side. She wears a décolleté gown of red and a deep blue mantle. Be- 
hind her at right Joseph looks across her left shoulder. Architectural 
and landscape background, with an eagle perched on the molding of a 

column at the left; reaching with its beak the branch of a Bea DONINE 


ha 


tree. 


a by ALONZO CANO 


SpantsoH: 1601—1667 


85 MADONNA AND CHILD 


Cth OZen ae, 


7 0 Height, 29 inches; width, 221 inches 


) Tue Madonna, a sweet faced young woman with benign expression, 
faces the spectator and is portrayed at three-quarters length, seated, 
holding in her lap the nude Child, who slumbers against her right arm 
and clasps a cross to His breast. The Mother is in rose and brown 
and wears a blue mantle, and a scarf is wound about her head. At the 
upper left, two cherubim. 


JAN VAN SCOREL 
Doren : 1495—1562 


86-—MADONNA AND CHILD ae 
Shy Ghee oe aaa | ) roe 
+ ho ‘ rs _ Height, 191% inches; width, 1816 inches.V - _ be 


Brrore a receding landscape background of mountains and valleys, 
trees and a river, and fortified palaces, in a cool bluish light, the — 
Mother and Child are boldly painted in the large in the foreground, 
in a light which is warm and soft. The Mother stands back of a balus- — 
trade and faces the spectator and the right, appearing at three-quar- 
ters length, her right hand opening the pages of a prayer book which 
lies on the railing. In her left arm she holds the Child, nude, who 
slumbers, with His hand still clasping a breast at which He has 
suckled. The youthful Mother is in blue, with a crimson mantle. . 


FRANCIA LUGIO ALBERTINELLI 


ITALIAN: 1474—1575 | 


87—HOLY FAMILY 
(Panel) 


Height, 26 inches; width, 22 inches 


| 4p. , | é 


Ix a soft light of gloaming, under a sky which shows only a horizon z : 
line of light above greenish-blue mountain tops in the distance, Mary, 
Joseph, the Christ and St. John appear in a group in the foreground. | 
Mary, a fair young woman with golden hair, and faint pink rose in her | 
cheeks, is in sitting posture and appears at three-quarters length, in a 
décolleté waist of deep rose and a green skirt and mantle. Joseph, a © 
dark bearded man in a rose-yellow mantle, looks over her left shoulder. ; 
On her lap the Child is seated, nude, turning affectionately to the infant 
St. John, who stands at the Mother’s rive and approaches the Christ — 
in devoted attitude. = 


Piisct from T. J. Blakeslee Galleries. 


From the Catholina Lambert Collection, New York, 1916 #2044 (¢ 


A 


RS 


RE QHARR GORE, 
ARRAYS 
eee 


vA 


“MASTER OF THE DEATH OF THE VIRGIN” — 


Atloor 1525 


88_-MADONNA AND CHILD 
(Eanes 


| Height. 2616 inches ; width, 20 “ 
| 13 } 


Tue Virgin, seated and facing the left, three-quarters front, is por- 1 


trayed at three-quarters length, clasping the Child in her right arm, q 
her left elbow rested on an ornamented ledge upon which ripe cherries 


are lying. She is in crimson, green and gold, with a dark green cap — 
which does not conceal her Titian hair, whose color the Child’s hair — 
shares. Dark interior background with green drapery, and through a 


window at left an Italian landscape with castles, under a blue and ~ 


white sky. 


Formerly in the collection of Claude A. C. Ponsonby, by whom it was — 
exhibited at the Royal Academy in 1907.(No. ase with an attri- — 
bution to Mabuse. 


Since correctly assigned to the “Master of the Death of Mary,” who 4q 


takes his rather cumbrous appellation from the pictures of the 
“Death of the Virgin” in the Cologne and Munich Galleries. He 
ts now usually identified with Joos van Cleve the Elder (1485?— — 
1540?). 


From the Ferdinand Herman Collection, New York, 1918. Hep boo /b00- 


Purchased from the Ehrich Galleries, New York. 


UNIQUE GOTHIC WALL PANEL 


FIrTEENTH CENTURY 


Go GAY. AND CHILD 
Height ( DERETET): 141% inches; width, 9Y inches 


‘Height (complete) 22% inches; width, 18 inches. 


AAT, 
A sincutar work of primitive art, painting and deeply carved frame i "i 
forming a single piece. The picture portrays the Virgin at three- 
quarters length, standing, a sweet-faced young woman after the man- 
ner of the primitives with head affectionately inclined toward the 
Child, whom she holds in her left arm, her right hand brought to her 
breast. ‘The Child is depicted in distinctly feminine aspect and as of 
youthful years, and raises the right hand in blessing. Both figures are — 
haloed in gold and apparelled in gold and rich colors, against a neutral — 
greenish background which bears at zeny and left undeciphered in- 
scriptions. 
Te inclosing frame is all in a single piece of wood, carved in relief. | 
and in undercutting two inches deep, the designs including crudely 
carved angels supporting a crown over a dove, at the top, and at the 
sides and bottom birds and quadrupeds and foliage, and retaining | 
vestiges of gilding and polychrome painting. Painting of the picture 
given to the Fifteenth Century, though the carving suggests possibly 
the Twelfth Century. 


gee 


ZIBINI 


Irauian: FirreentH CENTURY 


90—MADONNA AND CHILD 


Y5D ‘ . 3 cPene’) | en 


Height, 23 inches; width, 18 inches 


THe Madonna, a sweet faced young woman in a crimson gown, appears” 

nearly at full- ‘length, seated facing the spectator and the left, on a_ 
low garden coping before a varied landscape background. She wears — 
a dark mantle lined in golden-yellow, which is carried over her head, 
and she inclines her head toward the Child who in a single garment of 
dark green is seated on her knee. | | | y 


324, ras r. Kahane 


GIORGIO VASARI 


FLORENTINE: . 151 1— 1574 


91—THE CHRIST, VIRGIN AND ST. JOHN 
(Panel) 
Height, 31 eo width, 24 inches 
Tue Infant, nude, sits on His Mother’s left knee, with one leg across 
her other knee and left hand raised to her breast where she meets it 


with her right hand. At her right elbow stands the child St. John, 
holding a cross. The Mother is in red and green and rose-gray. Elab- 


orately painted green and moutainous landscape background in sun-— 


shine. 


From the Godebski Collection, Warsaw. 


ITALIAN SCHOOL 
92-MADONNA AND CHILD 


Height, 31 inches; width, 16 inches ; 


Wuuite cherubim look down from high on the left, the Madonna, 
seated, and depicted at three-quarters length, offers her bulging 
breast to the Infant Christ whom she holds in her arms. She wears a 


purple-rose gown and has a blue mantle. The Child has a garment of 
white. 


ANDREA DEL SARTO 
Itatian: 1487—1531 


93—MADONNA AND CHILD AND ST. JOHN 
(Panel) 


Writ Poortll 
Yb bf ‘ Height, 35 inches; width, 27 inches , la 


THe Mother stands at the centre of the picture, appearing at three- 
quarters length, with left arm embracing the Child, who is seated on a 
light olive-green drapery which covers a table at the Mother’s side: 
her right hand rests lovingly on the shoulder of St. John, who stands 
at her right side. The infants are nude, the Mother is portrayed in 
a crimson gown and a dark green mantle, a mauve scarf over her 
golden-red hair; and she looks downward meditatively in the direc- 
tion of the Child, her lips slightly parted. 


From the Catholina Lambert Collection, New York, 1916. 


CORREGGIO 


(Antonio ALLEGRI DA) 


Iranian: 1494—1534 


94—M A DONNA, CHILD AND ST. JOHN 


Height, 36 inches: width, 29 inches ¢ ; 
+E 0. 41 
Tue Madonna clad in golden-orange and wrapping about herself a 
dark green mantle holds the Child, who wears a single white garment, 
in her left arm, and she looks down at her right where the infant John 
stands looking up at her. The group in a soft, subdued light from 


forward on the right. Dark landscape background, with light only 
in a mild glow of yellow at the horizon. 


From the collection of the late Admiral George Stanley Bosanquet, | 
Bitchet Wood, Sevenoaks, Kent, England. 


From the John Anderson, Jr., Collection, New York, 16 alah 2806 : 


ATTRIBUTED TO 


HONORAT HYACINTHE RIGAUD 


Frencu: 1659—1743 


95—PORTRAIT OF A LADY 
(Oval) 


150, Height, 29 inches; width, 23 inches Berne 7 


Haxr-LencTH, bust to left, face to the front; brown eyes and warm 
complexion ; powdered hair done high and interwound with a red ribbon 
to which a jeweled pin is attached. Blue gown trimmed with gold and 
moderately low at the neck. Back of her the folds of a mantle of 
delicate grayish-olive. 


SCHOOL OF 
FRANCOIS DE TROY 


Frencu: 1654—1730 


Tate 


-96—MADEMOISELLE DE SERY 


fv 
a 


> _ - Height, 28 inches; width, 24 inches IW Aurel} 


_ Harr-tenctu portrait of a lady in young maturity, standing and 
_ facing the spectator. Powdered hair in natural dress with short curls 
_ about the head and a single longer one brought over the left shoulder. 
Flowered dress cut low and edged with lace, and across the bodice at 
_ the corsage a rope of pearls supported by large jewels. Over shoulders 
and arms a blue mantle ermine lined. 


» - 
ie | 
‘ 


AFTER 
CHARLES ANDRE (CARLE) VANLOO 


Frencu: 1705—1765 


97_-MADAME DE SOUBISE ”n Jahren 
j \ 
‘ / 


4p, Height, 24 inches; width, 20 inches 


Sratep in a carved gilt armchair upholstered in blue, before a neutral 
background light grayish and dark brown, a pretty young matron 
with round face, pink cheeks and brown eyes is portrayed nearly at 
three-quarters length, facing the spectator and the right. Her décol- 
leté gown of gray-white silk is trimmed with lace at the corsage and 
the flowing short sleeves, and with rose ribbons on the front of the 
waist and on the sleeves. Right hand brought to the side of her 
cheek, with the head lightly inclined toward it, and in her left hand a 
book of music. 


ATTRIBUTED TO 


GEORGE ROMNEY 
EncusH: 1734—1802 


98—LADY HAMILTON 


ae Height, 2614 inches; width, 20 inches a A) 

vd (), a ee “ 
Busr portrait, figure to right and smiling face turned to the spectator. 
The fair sitter, with luxuriant hair dene in highly elaborated curls, | 
both framing her face and brought down one at her back and one over | 
her left shoulder and breast, wears a white frock of soft material and : 
cut low, and a rich violet mantle; also a cap of cream-white pinned 
with a ruby, and crowned in the hue of the mantle. At her back a 
leaning tree and a bank of foliage, and in the distant background at 
right a landscape and afternoon sky. 


FRANCOIS HUBERT DROUAIS 
Frencu: 1727—1775 


99-MADEMOISELLE HELV ETIUS 
COMTESSE DE MUN (1727-1775) 


(Oval) 


ILS, Vertical diameter, 25 inches; horizontal, 2034 inches 
THREE-QUARTER length portrait of a small and lovely child, standing, 
with figure to left and smilingly expressive face turned almost full 
upon the observer. She wears a white frock of light material, which 
has dropped from the left shoulder, exposing the young breast, and her 
curly golden hair is adorned with a small bouquet under her tilted 
Leghorn hat. Within the folds of a white drapery she holds in front 
of her with both small hands a gathering of bunches of white grapes 
with incidental pluckings of the stems and green leaves of the vine. 
(Painted in an oval on a rectilinear canvas. ) 


—— ee 


es 


~ 
——— = | 


ta 
mg 
tela me 


EARLY GERMAN SCHOOL 


100-—-PORTRAIT OF A YOUNG LADY 


(Panel) 


Height, 15 inches; width, 12 eee (Re 


jbo. 


Facine the left, three-quarters front, a fair maiden with hght blone a 
hair set in a headdress of golden network, a gold band about her neck _ 
and chains of gold adorning her shoulders and supporting a pendant. 
She is clad in maroon-red trimmed in black, with white lace at her _ 
wrists, and her jeweled fingers are clasped before her waist. Three- 
quarters length, against a dark background. ; 


Inscribed at upper right: SUSANNA PRANDIN VON” 
AIBLING; and at upper left: JER, ALLTR. IM- 
XXIII. 7 


MARIE ANNA ANGELICA KAUFFMANN, R.A. 


Swiss: 1741—1807 


101—THE BATHERS 


Height, 11 inches; length, 13814 inches 


In the central foreground a pool, its surroundings flowering reeds and 
bushes, and a thicket of short trees which partly seclude it from open 
fields in the colors of harvest time. Here are assembled four nymphs 
whose draperies are for the most part cast aside in readiness for the 
bath. Two have their feet in the water and two look back in alarm 
at some sound of surprise. 


‘ 2 


“z 


Signed at bottom centre, ANGELICA KauFFMANN, Pinx, 
Roma 1796 (?) 


(*Third figure in date indistinct.) 
From the Senhor Salvador de Mendonca Collection, 1916. “ft/Sb fiwo-B V' 


; 
. 


SCHOOL OF 
HARMENSZ REMBRANDT VAN RYN 


Dutcu: 1606—1669 


102—PORTRAIT OF A MAN CDS fap ge fr : 


E pe Height, 20 inches; width, 1414 inches 


Heap and shoulders of an aged man with white hair and a full white 
beard, both hair and beard somewhat scraggly; the beard slightly 
parted and overhung by the drooping white moustache. He is a thick 
chested man, and is portrayed with figure to left, three-quarters front, 

- and face turned toward the right to regard the observer, which he 
does critically and with his head cocked toward his right shoulder. He 
wears a purple-lilac or dark mauve-gray cap with white plumes, the 
fitting-band of which has the semblance of a coronet, and rich and dark 
apparel. Light concentrated on the strong if senile face; background 


dark. 


ATTRIBUTED TO 


GEORGE ROMNEY 
Enewuisuo: 1734—1802 


MEDITATION Vecvene 


103 


QM, Height, 36 inches; width, 28 inches 


Hatr-Lenctu seated figure of a lovely young girl of ripening develop- 
ment, on a bench before some trees, facing the observer and the right; 
and with head raised bringing her face into full, strong light, gazing 
upward with pensive eyes and parted lips. Her rich chestnut-red 
tresses lightly brushed in curling waves above her forehead fall at 
either side of her shoulders to her waist line. Over her reddish-brown 
skirt her arms bared to the elbows are lightly crossed on her lap, and 
her soft white waist, of loose folds, is fashioned low, bringing her white 
breast to share the broad light that falls upon her face. Sombre land- 
scape background. 


B 


AFTER 
JOHN HOPPNER, R.A. 
EncusH: 1758—1810 


104—PORTRAIT OF A LADY 


Height, 331% inches; width, 27 inches 
A/D. Vira. Chas. lrt hi 


STANDING figure, at a little more than half-length, of a young lady 
with large eyes and rosy cheeks, her powdered hair done in puffs and 
curls and ringlets and bound with a blue and white ribbon. She faces 
the left, three-quarters front, her right arm resting on a green-covered 
balustrade on which stands a sculptured urn holding flowers. She 
wears a grayish-white gown of light material, décolleté, with filmy 
drapery showing mauve and amber notes about her shoulders and 
waist. 


FRANCIS COTES 


EneusH: 1725—1770 


105—_THE HON. MRS. DAMER 


Height, 31 inches; width, 25 inches 


Avr a little more than half-length, standing and facing the observer, her _ 
head turned slightly toward her left shoulder. A young lady with — 
dark hair dressed high, with knots appearing beside her slender neck _ 
at the tops of her steeply sloping shoulders. Décolleté gown of light 
material with white lace at the corsage, and about her shoulders and 
arms a light blue mantle adorned with designs in gold. She wears a 
light necklace supporting a medallion pendant at her breast, to which _ 
she brings her right hand. | 


FRENCH SCHOOL 
106—M A DEMOISELLE DE LA SALLE 


Height, 31 inches; width, 25 inches 


m.W. | wi 


Harr-Lenctu, to right, three-quarters front; dark landscape back- 
ground, A tall and fair young woman, with light hair powdered and 
curled and adorned with many flowers, with more flowers garlanding 
her shoulders and posed at her low corsage. Gowned in fawn and 
gray, with golden and jeweled trimmings; dark purple mantle. 


(60. 


FRENCH SCHOOL 


107—-LA MARQUISE DE LIANCOURT 


Height, 32 inches; width, 26 mches 


/ 0, 


HaAtr-Lenetu standing figure, to front and slightly to right ; extreme. 
ly small waist; head poised lightly toward right shoulder. A hand- 
some woman, with affability expressed in the softly smiling features 
and the large and deep brown eyes. Rich and elaborate apparel, with 
a heavily embroidered bodice of golden-brown enclosing a white waist, 
with lace at the low corsage, and a skirt of rich deep yellow, and about 
her arms and shoulders a blue mantle. Deep brownish-crimson drapery 


background. 


_ ScHOOL oF 
ALBRECHT DURER- 


Gurwen 1471—1528 


108—HANS IMHOFF 


| Height, 21 inches; width, 16 inches 
7° 


ay. 


Heap and shoulders portrait of an aggressive man, clean shaven and a 
with knit brows, facing the left, three-quarters front, with eyes intently 
fixed on something distant directly before him. Reddish hair worn 


loose and long and concealing his ears. He wears a huge, broad and 
curling hat, tilted, a white tunic with lace edge, and a dark cloak with 
lining and broad collar of reddish fur. In his left hand, brought up _ 
before his breast, he holds a scroll. ie ) | 


ee ee ee EL FR ee TES ee at eT ee 


ee 


(oR RS 


SIR HENRY RAEBURN, R.A. — 


ScotcH: 1756—1823 


Aloe es , i a 
109—PORTRAIT OF A MAN Ab (1 ANAS 


Sa 


Hegtht, 30 inches; width, 25 inches - 


Heap and shoulders of a large man with prominent nose and deep set q 
brown eyes, gray-white hair brushed smoothly back from his forehead _ 
and allowed to grow long over his ears, and warm, almost swarthy © 
‘complexion ; smooth shaven save for short lines of curling side whiskers. _ 
He faces the left, three-quarters front. Black coat with rolling collar y 
and black waistcoat; white stock. Dark backeteat x; 


From the sale of “Valuable Ben tings of. ‘terling Artistic Moceiencel . E 


New York, April, 1917.-# KM ~ K/oa+ Acc Bae 
 hsq 


. sg anes eager eee 
a 
—— 


owe SS 


ATTRIBUTED TO 
FRANCOIS HUBERT DROUAIS 


Frencw: 1727—1775 


110—MARQUISE DE POYANNE 


Height, 3134 inches; width, 2514 a hes ao oS i" rahe 
éug v4. tNCNES Ly ane ih ‘s Q <b | 


iwel 


THREE-QUARTERS length, seated, with figure to right, iheeeneneas “a 
front, and face turned toward her right shoulder. A cheerful and — 
smiling young lady in a lace-trimmed gown of bright golden-yellow 3 
silk, décolleté. High coiffure, powdered and curled, with a decking of 
blue-green ribbon. Left elbow resting on a chairback of rich emerald 
green drapery, right hand in her lap; holding in both hands a Barend 


of various flowers. 


| 
f 


ATTRIBUTED TO 
ANTOINE VESTIER 


Frencu: 1740—1824 


111I—LA MARQUISE DE BAGLION | 


Height, 31 inches; width, 2414 inches fed en 3 
rae | Wu 


SEATED, figure somewhat to left and face turned toward the observer, 
a fair young lady of affable expression, with large dark violet eyes 
and soft pink lips, and roses in her cheeks. Portrayed at three-quar- 
ters length, right elbow resting on an emerald-green cushion and hand 
brought to her cheek, left hand lying across her lap. Gown of rich 
dark yellow, with light skirt, and light lining showing in the reversed 
sleeves, and a grayish filmy scarf striped in rose about her shoulders; 
revers making a deep and pointed décolleté. 


Ritaike saa aie. 


HONORAT HYACINTHE RIGAUD 


FRENCH: 1659—1743 


112—MADEMOISELLE DE NOAILLES 


(Oval panel) 


[oe hh A 


[RO 


Height, 31 inches; width, 25 inches 


Harr-tenern, to left, with the eyes turned toward the right and upon 
the observer. A lady young, of creamy complexion and rosy cheeks, 
with light coiffure, observed against a neutral dark grayish back-— 
ground with her face and figure in a soft light. Décolleté waist of soft 
rose hue, with adornment in gold and white lace, and about her arms 
an azure mantle. 


FRENCH SCHOOL 


1183—MADAME DE MONTARGIS 


Height, 32 imches; width, 26 inches lk ‘ E ' 


A BEAUTIFUL young lady seated well forward and erect in a high- 
backed carved armchair upholstered in crimson looks up from an open 
book of music which she holds in both hands and regards the observer 
with a placid interest which is not without its ready and complacent 
smile. Portrayed at a little more than half-length, with figure slightly 
to left and face turned slightly to right. Décolleté gown of light tone 
embroidered in pale gold, the tight but open bodice disclosing silken 
bows of old-rose binding the inner waist; at her left breast a rose. 
Powdered hair, curled, with long curls brought forward over both 
bare shoulders. Beside her, books on a table. Background of pale 
blue-green portiéres. | 


FRENCH SCHOOL | 


114—_M A (ON MOE SELLE DE CLERMONT 


| Mo Height, 31 imches; width, 25 inches Wr 4 rurtll 


THREE-QUARTERS length, seated, nee to front and slightly to right, 
the sitter’s head turned and inclined slightly toward her right shoulder 
and her eyes directed slightly to her left and upon the observer. A 
fair faced and youthful beauty with gray eyes ready to melt into a 
~smile, in which the pink lips of the small mouth are equally ready to 
join. Low cut tight bodice adorned with gold and jewels, the full skirt 
plain, and about her shoulders a rich reddish-purple mantle. Pow- 
dered hair dressed with waves and curls close about her head and 
adorned with plumes in the colors of her robes. Right hand brought 
to her right breast; in her left hand a letter. 


de FRENCH SCHOOL 


11I5—MADAME DE BOTICOURT 


3 D. Height, 383 inches; width, 26 inches Ms ; 


Portrair of a young lady with a demure smile and knowing eyes, her 
features handsome and regular, standing and facing the spectator, 
figure slightly to left and head turned somewhat toward the right. 
__ She wears a décolleté gown of rich and dark greenish-blue, with gold 
embroideries, and white lace corsage, where a spray of red flowers is 
tucked. At her back a mantle of pale old-rose. Nearly three-quar- 
ters length, conventional background. 


Lb 0, 


FRENCH SCHOOL > 


116—PORTRAIT OF A NOBLE LADY 
(Oval) 


Height, 32 inches; width, 25% inch ils ie cet byt 
Hatr-tencrn portrait of an affable young French dy of the Seite a 
ity in a gorgeous toilette, a gown of azure velvet edged in gold ‘and <3 
draped with pearls and sparkling’ gems, the sleeves caught up and 
exposing flounces of purple-rose overhanging undersleeves of white 
silk ; white lace cuffs, and white lace at the low corsage. She is stand- 
ing, facing very slightly toward the left. Her dark hair is dressed high _ 
and adorned with a ribbon and a pearl, and a single long ringlet curls 
down over her left shoulder. At left a coronetted coat-of-arms. 


Inscribed at right: JaquETTE pD’OpET dE Sarnt Hiprowre, 
ComTEssE DE VALON. ~— 


CHARLES ANDRE VANLOO 


Frencu: 1705—1765 
117—QUEEN MARIE LESCZINSKA (1708-1768) 


Height, 3244 inches; width, 251 inches 
Tue Queen of Louis XV of France is presented asa young and affable __ 
woman of warm color, with hazel eyes and powdered hair, which is 
dressed in curls, one of them brought forward over her left shoulder, _ 
the fashion of the time. Her golden gown, heavily embroidered and 
further embellished with jewels, is partly hidden by her ermine-lined _ 
blue mantle, which carries the fleur-de-lis of France in gold. Her ; 
bodice is tight, and very moderately décolleté, with white lace at the — 
breast. She is standing, with figure to front and head turned slightly 
to her left. 3 


From the Galerie Sedelmeyer, Paris. 


From H. C. Hoskier Collection, New York, 1914-¥#4K&+P l100 ~ OF 


wee 


JEAN BAPTISTE SANTERRE 


Frencu: 1658—1717 


118—PORTRAIT OF A LADY 


Height, 38 inches; width, 281, a ) 


Ve 


TureeE-quarTers length, standing and facing the spectator from be- 
neath a canopy of draperies, from which at the right is to be seen a 
landscape of buildings and sea. A tall and slender young lady with 


steeply sloping shoulders, pink cheeks and blue eyes and reddish-brown’ 


hair. Her hair is dressed high and topped by a turquoise and blue 
cap set at a rakish angle. She wears a low-cut waist of rich colors, 
which continue in the borders of her turquoise cape and skirt. In her 
right hand, brought to her waist, she carries a black ball-mask ; her left 
hand rests upon a balustrade. 


ITALIAN SCHOOL 
119—MADONN4A, CHILD AND ST. JOHN 


Height, 30 inches; length, 36 imches 


bse, Mur. Wel 


Acatinst a dark conventional background off /landscape and clouds, 
with a single gleam of light in the sky far at the left, the figure group 
is depicted in a soft, mellow hight at the centre of the foreground, the 
Madonna at three-quarters length, seated, St. John standing beside 
her left knee. ‘The small saint reaches up and embraces the Child, 
held against the Mother’s breast, who turns and returns the embrace. 
The Child is nude, the infant saint wears a sheepskin. ‘The Madonna, 
of round face and rosy cheeks and golden hair, wears a soft rose-red 
gown and the Child rests on a green-blue cushion on her knees, 


ITALIAN SCHOOL 


120_VIRGIN AND CHILD WITH SAINTS 


4 5d. Height, 30 inches; length, 38 inches 9 Pare. : 
fe _ Ar left the Virgin in crimson, before a crimson drapery, the color 
| = broken and relieved by her mantle and hood, and at her right elbow the 
i infant St. John who looks up at the Christ who is held in the Mother’s 
_ arms. The Christ, nude, turns to place His hand in that of St. Cath- 


ermine, who clad in a sav gown stands looking lovingly at Him from 
the right. 


FRENCH SCHOOL 


: _ -21-LA MARQUISE D°IMFROIT 


Height, 39 inches; width, 32 ee 
f 


| 

| Ar three-quarters length, standing and facing the observer, her head 
| turned a bit to her right. She stands in a corner of a room, her left 
hand on a coffret on a table at her side, and her right hand holding 
| a fold of her ermine mantle, which drapes her shoulders. Décolleté 
| gown of gray silk with bold ornamentation of flowers in purple-rose 
| and green, and with edging and cuffs of white lace. 


LOUIS TOCQUE 


ee FRENCH: -1696—1772 


and aire aienle to ete, a lady is ebeered playing a musical instru- | 
ment, sheets of her music lying disregarded on a marble table at her | a 
side. She wears a gown of rich brown, with soft lights, the bodice — 
tight and the skirt voluminous, the whole trimmed with green-blue and 
golden-brown bows, and the short sleeves and low corsage edged with — 
white lace. About her closely dressed powdered hair, a lightly crap 
black lace scarf, which is caught in a loose bow at her throat. 


A EN A ye ee a ey ane Teese sanIR Si aie a ht Me —— o< = = a 


-BARTHOLOMEUS VAN DER HELST 


~ ~ DurcH: 1612—1670 | 


ee 


123—PORTRAIT OF A YOUNG LADY 


Height, 39 inches; width, 281% inches a. ri 


TureEE- QUARTERS length standing figure of a handsome young maiden — 
merrily demure, facing the spectator, turned slightly toward the left. 
Over her rich black velvet brocade waist with large sleeves, a long 
white collar comes down nearly the full length of her sloping shoulders, _ 
and its points extend nearly to the belt line. The long stomacher is: 4 
adorned with bows of plaid in the shape of crosses, and she wears a 
skirt of deep scarlet with DO lace adornment. Her hands are dis- — 
posed gracefully, one at arm’s length touching the folds of her skirt, q 
the other guarding some bit of jewelry on a table at her seen 


ATTRIBUTED TO 
ANTOINE VESTIER 


Frencu: 1740—1824 


124 _MADEMOISELLE FOUGY 


£90. 


Fair in her regal beauty, with rose cheeks and brilliant brown eyes, a 
eyes and Cupid’s-bow lips and sensitive nostrils ready to smile, a tall 
and developed young woman seated in an outdoor environment regards — 
the observer with composure mingled with interest. She is portrayed _ 
at three-quarters length, right elbow poised on a sawn tree stump of 
age and large proportions, and holding in her upraised right hand a — 
carnation with a bud. Coiffure poudrée, ringlets at temples and — 
crown, and long curls brought forward over the shoulders, beside the 
moderately exposed breast which is partly sheltered by loose folds of — 
diaphanous white. Loose silken gown of old-gold with a golden cham 
girdle, and a pink-rose mantle lined in white. 


Height, 39 inches; width, 311% inches 


>» a 
2 


FRENCH SCHOOL ~ 


125—PORTRAIT OF MADAME DE CROZAT 


Height, 3914 wmches; width, 32 ieheee - 


SEATED and Hepie ae at three-quarters length, a bande young Rae 
woman with red cheeks and dark eyes, and powdered hair puffed and | 
decked with a nosegay. She faces the left, three-quarters front, with 
eyes on the observer, and is pictured allegorically as representing the . 
harvest, a sickle held in her right hand and resting on her knee, while 
under her left arm is a large sheaf of ripe wheat on which some blos- 
soms are lying. She wears a white tunic whose lace corsage in rolling 
lines’ exposes her breast, partly enfolded in a mauve drapery, and 
about her lower body a turquoise mantle, which also overhangs the 
wheat, pels background. | 


ATTRIBUTED TO 
ROBERT L. TOURNIERES 


Frencu: 1668—1752 oe ; an : | ‘an 


126-MADAME CHATEAUROUX 
Height, 3914 inches; width, 32 inches . . 


360. — 


THREE-auARTERS length portrait of a smiling beauty of youthful — 
exuberance, standirig- and facing the left, three-quarters front, her a 
right hand on a lyre which rests on a library table by her side, and — 
holding casually a sheet of music in her left hand, which she has allowed _ 
to drop below her hip. She has rosy cheeks and large hazel eyes, and 
her powdered hair most precisely dréssed is decked with pink and white 
roses. She wears a décolleté gown of brilliant greenish-blue, and a ; 
rigid stomacher adorned with golden scrolls on a silvery ground. Wall e 
and warm drapery make up the background. 7 


* 


AMET wee ee 


She is peated out- sedate ao aes arm a ting on 
holding a pink rose; the left elbow is also at rest, on. 
port, while the hand. is brought lightly to a- 
ribbon which encircles her waist. On her lap a; 
her hair. She wears a silver-gray gown‘ embr 
emerald with a floral design, and displaying white 
low corsage ; about itis green blue mantle. | Nebulous 


.. bat 


"ood Br, z ] 


> 


rie 


eee wea of a small girl with blue es 
and reddish- peeeGa hair which jails in sae ne 


clasped in tee lap. She faces the left, 
wearing a white frock, décolleté and ioe 
deep PE ee sash. | 


EARLY ENGLISH SCHOOL 


129—PORTRAIT OF A LADY 


Height, 46 inches; width, 3434 inches 


550. | a year, b¢ 


A CHARMING young lady of the fair English type with roses in hel - 
cheeks and large blue eyes, her abundant reddish-chestnut hair loosely - . 
arranged and lightly bound by a white kerchief. She is seated on a 

heavy green, outdoor bench at the foot of a gnarled and leafless oe 
and is portrayed at three-quarters length with figure slightly to left — 
and face turned to the observer. Her white frock is crossed low over 4 
the breast and girdled in white, and she is draped in a mantle of old- — 
golden hue. Within her hands, clasped over her lap, are roses and — 
smaller flowers. Warm brownish conventional atmospheric back- — 
ground. | q 


—_ 


(Illustrated) 


ATTRIBUTED TO | 
JOSEPH MALLORD WILLIAM TURNER, R.A. = 


Ewetisn 1775 eet 


130—LANDSCAPE AND FIGURES 


Height, 40 inches; length, 50 inches 


sin Me: 


A BrRoaD, rolling and broken landscape, reaching afar and of vague 
details and colors in the distance, with classical ruins apparent here and 
there. In the foreground, more definite detail, and warmer color, the 
composition depicting numerous figures in colorful costumes in gar- 
dens and among short fruit trees and taller ornamental trees. 


NICHOLAS MAES 
DutcH: 16382—1693 


131—PORTRAIT OF A CAVALIER | 
Height, 48 inches; width, 3724 inches 


Factne the spectator and portrayed nearly at full length, ee a 

before a balustrade on an angle of which he rests his right hand, his _ 
left hand lightly supporting folds of the dark mantle which partly 
envelops him. A young gentleman of aristocratic bearing and affable 4 
expression, wearing the briefest, lightly upcurling moustache, his abun- 
dant dark locks or wig delicately curled. Rich black velvet coat, and — @ 
white lace neck-cloth falling in broad folds well down his. chest, its = 

white tassels hanging below it. : a 


Painted about 1670, a date which ys. the best ey of te painter. 


Formerly in the collection of the lst M arques of Dufferin (died 1902), ’ < 
and sold at Christie’s, January 28, 1905, No. 93, as ee “Por : 
trait of a Gentleman.” q 


Exhibited at the Hudson-Fulton Ewhabition, Metropolitan Museum of 4 
Art, New York, 1909, No. 61. 


Hofstede de Groot’s Edition of Smath’ s “Catalogue owones 1916, q 
Vol. VI, No. 399A. & - 


From the Thatcher M. Adams Collection, New York, 920 Mage Hlo 


CL . ee 
| 
(Z ! C 


4S 


ee 


JOHANN HEINRICH TISCHBEIN> 
GERMAN: 1722—1789 


132—EMPRESS MARIA THERESA 
Height, 41 inches; width, a) es 


Tue famous Austrian Empress is portrayed at F quateme lenge 
standing and facing the right, three-quarters front, before the drawn _ 
up folds of a rich crimson portiére. A stout lady, with her heavily 
lace-trimmed blue gown broadly décolleté, and over her shoulders an — 
ermine mantle. Her left hand rests upon the crown, placed upon a a 
table at her side. Landscape background visible at the righ a 


- 


JEAN RAOUX 
Frencu: 1677—1734 


1383—_CATHERIN E DE SOUDEILLE 


Height, 49 inches; width, 35 inches 


wee (ee erin 


THREE-QUARTERS length portrait of a young lady with pleasing and 
smiling face and fair complexion, and bright hazel eyes, seated at a 
corner of a crimson-upholstered sofa, with her left arm resting on the 
sofa’s arm and her right hand in her lap where it holds a white scarf 
or veil or bit of soft drapery. She faces the front, with figure very 
slightly turned to the right. She wears a rich gown of brownish-black, — 
of soft and deep material, the sleeves and skirt loose, the bodice tight _ 
and deeply décolleté, a small white ruff or fluffy collarette at her ~ 
throat, and a rope of large pearls in three strands and supporting a _ 
pendant. Her hair is curled and powdered, and she wears a toque — 
to match her gown, surmounted by a single white and curling ostrich 
plume. 


On back: “Catherine de Soudeille, fille de Gabriel de Soudeille et de { 
Magdeleine d’Aubusson Laffeuilade; mariée & Jean de Valon du 
Boucheron.” 


Also on back, a card: “No. 5552. Haro, Pewntre-expert du Ministére 
des Travaux-Public et du Palais des Tuileries.” 


ATTRIBUTED TO 


LOUIS M. VANLOO 


Frencu: 1707—1771 


184—LA COMTESSE DE BEAUFORT 


a6 Height, 41 inches; width, 32 ie 
0 asa jot, ORLY. Le 


: PoRTRAYED at Pe ea aerters length, standing and ee the observer, 
: her head turned slightly toward her left. A young lady of rosy com- 
-plexion, with powdered hair curled laterally at the sides of the head 
and over it a brownish veil held by a jewel at the top of the forehead 
V, and falling well down her shoulders. Her sloping shoulders bare, she 
: 

: 


is encased in a tight bodice and wears a huge skirt spread by broad 
hoops, the material of the gown a delicate olive-gray embroidered with 
floral sprays in red and green. In her right hand, with elbow resting 
on a crimson drapery, she holds the miniature portrait of a bewigged 
gentleman who wears an order on his breast. Dark background. 


From the Armand Fréret Collection. 


| ie ! FRENCH SCHOOL 


135—LA MARQUISE DE DREUX-BREZE 


1 | 
; WY 
q . . “a i i| 
| — Height, 51 inches; width, 40 imches . ii 


Turer-evuarrers length standing figure of a noble young lady with 
high and powdered coiffure, and long curl over one shoulder, figure 
slightly to left and face to the observer. She stands with right fore- 
arm rested upon the’pedestal of a stone vase, in a formal park. Décol- 
leté gown of rich and brilliant golden silk, the tight bodice with revers 
crossed low and revealing white lace at the corsage; white lace frills 
at the full and short, caught-up sleeves. Soft rose mantle spread in 


ample folds. 


FRANS POURBUS 
(Tue YouncrEr) 


Fremisu: 1570—1 622 


136-—PORTRAIT DUN 7 Ee ee 
‘i SEIGNEUR DE RIPPERDA ~ 


W/; 


® 


(Panes 


| 150 , 7 Height, 4544 inches; width, 33 inches - 


THREE-QUARTERS length, standing, directly. facing the front, with light — al 
from in front and the left; a man of high forehead and clear-cut _ 
features, with sandy moustache lightly twirled and very little beard, 
and darker hair carefully parted and dressed. Black velvet full 
breeches, white satin doublet, dotted, and brilliantly polished corselet — 
dotted in accord, over which hangs the golden chain and medallion of 
an order. Left hand on the sling of his sword, right hand clasping 
his gauntlets. At upper right an escutcheon and below it “Aetatis 
suae 40; ano. 1609.” 


(A pendant to the succeeding panel) 
Included in the sale of the collection of H. I. A. Raedt van Oldenbarne- 


velt, of The Hague, at Amsterdam, November 6, 1900, when it 
was accompanied by the companion Portrait of Aysma van Lauta. _ 


FRANS POURBUS 
(Tun Youncer) | 


Fremisu: 1570—1622 — 


137—PORTRAIT OF BAe VAN LAUTA 


(Panel) 


! 
H 
U 


J ote a Ss Heights 451, inches; width, 33 inches } Wil f a 


Turee-euarters length, standing and facing one the: Kind very 7m 
slightly turned to the left and in a full, broad light; a young woman 
with sensitive lips and nostrils, and dark eyes inclined to smile, her a 
dark hair carefully dressed in full puffs and adorned with jewels. ‘She 
wears a deep stellate ruff, a rich gown of black velvet brocade with . 4 
flowing and open sleeves exposing waist sleeves of rose-pink silk, white 
lace cuffs and gold bracelets, and a heavy gold chain with pendant 
medallion. At upper left an escutcheon and. beneath it “Aetatis suae 
17; ano. 1597.” 


(A pendant to ‘tie preceding panel) 


Included i in the sale of the collection of H. I. A. Raedt van Oldenbarne- 
velt, of The Hague, at Amsterdam, November 6, 1900, when it — 
was accompanied by the companion Portrait of a Seigneur de 
Ripperda of about ee same style. 


FRENCH SCHOOL 


138—QUEEN OF NAPLES eee ae 
(Caroline Marie of Bonaparte, 1782-18 
Height, 66 ich width, AS! tnohes a 


Porrrayep at full length, seated, figure slightly to PES oe and fa 
turned to the observer. White satin Empire gown, trimmed with Ww 
lace and embroidered with flowers. Jeweled coronet, necklace 
girdle. In her left hand and resting on her knee a small volume; rig 
arm resting on a table at her side; one white slippered | foot. on 8 
crimson footstool. Dark background at left, with a mountainous land- 
scape viewed at sunset at the right. 


== SS SS 


BARTHOLOMEUS | VAN : 


Doren: 161216 c 


‘Height, 46 inches; width, 33 


and twinkling eye, oy chedtiate ine worn Eis: 
his showldersscH his moustache ‘trimmed to a fen 


above the eae 


From Sedelmeyer, Paris. 


ALONZO. SANCHEZ C F 


140—-SPAN ISH PRI N CESS” 


Height, oF snihieee width, 30 n 


So. 


Turer-auarrers length standing figure, to left 
beautiful young lady, with large and beats 
at an object back of the spectator’s right. Oy 
complexion, with lightly rouged cheeks, and wich 
adorned with a lily spray and with gold and sap 
upstanding ruff of soft vermilion hue, stiffly fri 
its straight base squared with the lady’s shoulde: 
arch mounting above the back of her head. Abo 
ing down her stomacher, ropes of pearls. Her . 
crossed by meander stripes of a delicate red, alter 
decorated with conventional designs of. floral deri 
brown. One hand on a book, the other holding a, Sane 


M1—MADAME RECAMIER 


35%. 


Porrrair of the famously beautiful lady in 
and facing the left, three-quarters front. 
quarters length. She is sitting in a carved 
mounts, before a large column, on a balcony 
her extended right arm, while her left hand rest 
a plan white silk Empire gown. embroidered Bick 
short sleeved. Falling loosely about her i is a ¢ 
in her dark hair i is a red ribbon. 7 


. Height, 52 inches : pidthe: LO 


6 


Signed at the right, above th 


a 
oy 


with fone to. ight and face niet teeta 
wears rich silken apparel of delicate bronze hue 
a white lace fichu plentifully plaited, and holds’ 
carved fan. In her hair a rosette of rose ribbon a 
of her, on a pedestal, an Oriental vase. 


ae ee 


orrtiatest eens ence 


t 


< 


BARTOLOME ESTEBAN MURILLO — 


Spaniso: 1617—1682 
143—LA VIERGE AU ROSAIRE 


YR 


Born Mother and Child are depicted as very eat human been ied 

out attempt at idealization, and both regard the observer intently and na 
inquiringly, and with affable expressions approaching a sympathetic 4 
smile. The Virgin, portrayed at full length, is seated facing the right, — 
three-quarters front; a dark-haired and large-eyed young woman with 
assertive nose and small mouth, a light brown veil over her head and 
draping her shoulders. She is clad in crimson, with a flowing mantle 
of deep green, and holds on her knee the Infant, who wears a garment 
of soft rose. He holds a cross against her breast and each has a — 

hand on the TOBArY suppor eng. it. Nebulous background with cheru- . 


bim on high. 


Height, 651 eH width, A inches é 


Murillo painted a number of pictures known as “Our Lady of the Aosary? the: 
more important examples being in the Prado, Louvre and Dulwich Galleries, and in 
the Northbrook Collection. They all differ in details, and are described by C. B. 
Curtiss in “Velasques & Murillo,” 1883. 


From Durand-Ruel. 
From the Catholina Lambert CoienEere Sib h353.fbl00 sy th 


3a 


: Height, 411% inches; width, eye. f 
| ine 


, 


“MASTER OF FRANKFORT” 


Earzty SIXTEENTH CENTURY 


144—TRIPTY CH: VIRGIN AND CHILD 
WITH ST. CATHERINE 


AND ST, BARBARA 


(Panels) 


Height, 30 inches; width, (centre) 23 inches, (wings) 11 inches (each 


Tue Virgin in a dark green gown and rich red mantle, both adorned _ 


with gold, is seated in a niche, and holds standing on her lap the nude 
Child, who reaches toward an aged man in a monk’s cowl who stands 
at the right holding a glass of wine above a basket of fruit. At left an 
angel plays a lute. In the background, landscape and architecture. 
In the wings, respectively, St. Catherine with sword and wheel, and 


- 


x 


St. Barbara reading. 
From the Kleinberger Galleries Collection, New York, 1918. yn 


(Illustrated) 


SALVATOR ROSA 
Irauian: 1615—1678 


145--DIOGENES LOOKING 
FOR AN HONEST MAN 


At centre the sceptical philosopher, standing and facing the spect 
holding out his lantern in his left hand, his right hand raised before 
him, palm outward. At his either side three other figures, two men and 
a woman, smiling in mild derision at his eccentricity. ‘The figures at 
three-quarters length. Diogenes is pictured as an aged man with white 
hair and beard, wearing a yellow cloak and red mantle. In the back- 
ground tall buildings. 


From the collection of Edward Knight, Esq. 


Engraved by W. Sharpe, 1780, when the painting was in the possession 
of Edward Knight, Esq. 


i 
i 
| 
f 


and came from the famous — 


JULES PORGES COLLECTION 
- OF PARIS | 


GABRIEL METSU 
Dee 1630—1667, 


146—LE MARCHAND DE VOLAILLE — 


(Panel) 


: : Height, 91% inches; width. T inches” 
050. hie whe 


STANDING faa back of a stall railing, in a hoa doorway or inde * 
arched by overhanging green grapevines, a middle-aged man faces the 
spectator and is observed a little more than half- ‘length. © His dark | 
brown hair is worn long and in heavy curls which fall upon his shoul- o 
ders, and he is garbed in a soft and rich red, with a broad white lace 4 
collar that with the top of his coat is left open at the throat. Before 
him on the railing are two of the birds which he sells, but his imme- 
diate interest, as is emphasized by his slightly too convivial smile, is — 
in a tall green wine glass he holds out lightly as to a customer, while 
the silver or brilliant pewter jug for replenishing it stands at one side. 


Collection Jules Porgeés, Paris. 


iC a rT 


are DAVID TENIERS THE YOUNG ER 


EF LEMISH : 1610—1 694 


147 LE PORTE-ETENDARD 


Height, 29 inches; width, 


5 a 


tern Se overhead and the corner of a high Bie: -om: 
view at the left, a standard of colors—red, green, white and. olc 
canted over drums and saddles, helmets and body armor i 
nately thrown down, and from the left a page approaches 
someone’s large cloak. In the background, in the recesses of t 
way, men crowd about a canteen window, smoking aed dunlnes 
Signed at the right, on the boars of a Bele: Dr ( 

gram) the T within the D. . 


Collection Jules Porges, Paris. 


—_ ee 


JAN VERSPRONCK | 


Durcn: 1597—1662 


148—PORTRAIT OF-A LADY 
; (Panel) 


Height, 291% inches; width, 2345 inches 


HALF-LENGTH aes of a young lady, seated and facing the left, . three- 
quarters front. She has deep blue eyes and a warm compleciael and ; 
her Cupid’s-bow mouth is inclined to smile, Her dark hair falls in 
long ringlets down her shoulders, and shows a fringe of curls arching - 
her forehead, while back of this it is brushed smoothly and encased 
in a headdress of pearls and gold. She wears a necklace of pearls 
which appears at her throat, and a deep and double shoulder collar 4 
of white lawn edged with white lace, which in front is decked with — 

a small black bow at her breast. Her rich black gown shows a tight 
bodice with large, full sleeves. Neutral olive-brown Paes s4000 78 with — 
a coat-of-arms in colors at the upper left. 


Collection Jules Porges, Paris. 


AELBERT CUYP 


Dutrcu: 1605—1691 


149—CAVALIER DANS UN PAYSAGE 
Height, 35 inches; width, 29 sone io 
Pigs ArwHad 


Arms of a river or the sea enter the landscape fro! 


rs 


the foreground at left, in the ate of trees and a “bluff, one 
RR intra his rider with back to the spectator, the other rider r 
the spectator at the extreme left. On the bank a dog barks at 1e 
drinking horse. On the stretch of land beyond the first water, in sul ate 
shine, flocks and herds and a shepherdess are seen, and a man 1 wh 10 

comes to the water after cows which have entered to re ida 


bridge, where a house is seen on the iidelprotat shore. 


Signed at the lower left, A. Cure, FECIT 


Collection Jules Porgés, Paris. 


PIETER DE HOOGHE 


Dusen : -1632—1681 


errs NTERI OR WI TH FIGURES 


_ -Height, 3834 inches; length, 44h, ne : e ei 


In a large and elaborate bit race dim interior Mts! lien 
Ings; a group of richly dressed people appear before a high 1 
piece, in a soft light. A fair-haired young man who has doffed u 
with a sweeping gesture raises a tall conical glass” of red wi 
honor of a tall and fair lady in silvery silk trimmed with gold, 
faces him and is observed in profile to the left. In hastening to ee: 
she has overturned her chair. Raising one hand to the youth 4 
salutes her, she extends the other to an older man, who holds her fing 
lightly and remains seated. He wears high boots and velvet breec 
a long-skirted coat of old golden yellow, and a brightly polished co 
let belted -with a crimson sash, and he holds the bottle from which 
‘wine glass has been filled. He turns his head away from the standin 
couple, toward the spectator, and smiles quizzically, while a sea‘ c : 
man and woman back of him at the left regard neg the drinkin 
episode. At right a maid enters with fruit. bs 


iy rl 


Sine above the open door at the right, P. De Hoocnr, F. 


Collection Jules Porgés, Paris. 


Durer: 16061669 


151—LE BON SAMARITAIN 


p c Height, 381% inches; length, 5034 inches oe : : 


oe 


the ire of the ono an old white saddle ieee facih 
from the sue and tied to a tert tree. To right of th ce 


ground, resting on one alow and keenly obser rane of the aay a 
be administered to him be the mies Samaritan. The mek 


Painted about 1650. 
Bureneged from Charles Sedelmeyer, Paris. 


Dr. Wilhelm Bode, orn Wee of Rembrandt,” Vol. v, page” re 
No. 380. ae 


Exhibited at ie Rembrandt Exhibition, Amsterdam, ee the e- — | 
hibitor, M onsteur Jules Porges, of Paris. re 


Collection Jules Porgeés, Paris. 


‘PETER PAUL RUBENS | 


Freansi: 15771640 — i 4 


152—PORTRAI T D'UN CARDIN AL 


aS f ies - 


Height, 4, » HVA width, aig inchg hes 


pee. : 
THREE- -QUARTERS ena nae figure, to left, eee Biss ; 
A man of high color with short: gray beard and moustache, ards S 
dark eyes upon the spectator. He is in black brocade, with eS 
fold-over collar and short white turned-back cuffs, and. over his oe 
he wears a purple cape. He wears a tall biretta, its color 
the cape. His right arm rests lightly on the back of. a Cé 
before him, and in his left hand he holds his’ gloves. _ ‘Bac 
cardinal drapery, and on this at the upper mene an -elaborat 
of- arms, with scroll more “Adrianus Baec ag ‘More Maio m. 


Collection J ules Parga! Paris. 


CORNELIS DE VOS — 


DutcuH: 1585—1651 


153—PORTRAIT. OF A LAD 


Height, 47% inches; Bib: 3046 inches 
STANDING on a balcony, with a column and drapery visible in the’ : 
erOUnG at right, and at left the trees of a park | seen bey a bi 


the observer and her glance decal slightly Lowa ne left shou 
She is in rich dark velvet brocade apparel, with cuffs and a deep 
of fine white lace. Her sole a hair 1 is adorned with 


across her phasis ieee left hand, eae easily at her sia > 
a feather fan. 


Collection Jules Porgés, Paris. : ie ti $6 Fes) 


ee 


NOTE: The two following described Painiegn (Cat e 
logue Numbers 154 and 155) are to be sold by order of . Frida 
Lowy, Ewecutriv of the Estate of the late Emil M. Lomi § : 


EARLY FRENCH SCHOOL i 


154 HERO. AND LEANDER 2 
Height, 44 inches; longi 611% inche ‘ Le he 
By 


> ne 


2 Se 0. (A companion to “Perseus and Andromeda’) a 


‘ 


GREEN-BLUE waters of the Hellespont, and far at left and in the dis-_ : | 
tance the rocky Asian shore. In the foreground the form of Leander, F 


The lonely hope of Sestos’ daughter, 


borne on a white drapery by sea nymphs waist deep in the water, while 4 
pee break their bows aloft and Hymen’s torches are plunged into the 
sea, Fa 
He struggles—he sinks— 
“Sweet Hero, I die for thee!’ 


At right, in sombre mid- distance, rises the gray pile of “Sestos’ rocky 4 
tower,” from: which. Hero flings herself to perish in the waters that | 
have taken away her lover, 


EARLY FRENCH SCHOOL 


155—PERSEUS AND ANDROMEDA 


Height, 44 inches; length, 6114 inches 


Z | (4 companion to “Hero and “QO ¢ g. Neel 
(3820 4a 

| 

i | 


Ar left in the foreground the virgin daughter of Cepheus is scent, on 
the fateful rock, a white mantle concealing little of her rounded figure, 
whose pliant flesh glows mildly in a softened light. One foot touches | 
the waves, a shackle shows on her right wrist, and her left arm is raised | 
in a gesture which directs attention to the approaching Perseus above, | 
while her gaze is fixed upon the sea monster in front of her to right. ) 
At right in the middle distance, in a cove of a mountainous shore, the 
parents and people of the rescued maiden raise their arms in shouts to 
the re-echoing hills. | 
On the hills a shout | 
Of joy, and on the rocks the ring of mail; | 
And while the hungry serpent’s gloating eyes | 


Were fixed on me, a knight in casque of gold 
And blazing shield, who with his flashing blade lt 


Fell on the monster. 


AMERICAN ART ASSOCIATION, 


MANAGERS. | 
THOMAS E. KIRBY, | 


AUCTIONEER. 


> 


ARTISTS REPRESENTED 


ND THEIR WORKS 


i 
| 
; 
’ 


LIST OF ARTISTS REPRESENTED 


AND THEIR WORKS 


ALBERTINELLI, Francia Lucio 
Holy Family 


ARTZ, Davin ApoLPHE CONSTANT 
Knitting at the Beach 
On the River 


BENJAMIN-CONSTANT, Jean Joseru 


Portrait of a Young Woman in a Character 


Part 
Othello and Desdemona 


BERGLER, Dior 
Nymphs at the Bath 
Toilet of Venus 


BERNE-BELLECOUR, JrAn 
Mounted Soldier 


BLAAS, EvucENE DE 
A Blonde 
The Brunette 


BOUCHER, Francors (School of) 
Sleeping Nymphs Surprised by Satyrs 


BOUGUEREAU, WuutaAm ADOLPHE 
The Little Pouter 
Song of the Shell 


CATALOGUE 
NUMBER 


87 


60 


- 
CATALOGUE 
NUMBER 


BRETON, JuLes ADOLPHE a 
The Harvester : anes 3 


BREUGHEL, Jan (VELVET) | 4 
Madonna and Child Surrounded by Flowers — 83 


CANO, ALONZO . 
Madonna and Child 85 


CAPORALI, BarroLomMEo ae 
Virgin and Child | | ae 4 
CAZIN, JEAN CHARLES 3 
Landscape with Buildings | 17 & 


CHAPLIN, Cuartes JosHua . = 
Preparing for the Bath | 34° 


COELLO, Atonzo SancHEZ | . | : 
Spanish Princess — 140 


COROT, Jean Baptiste CAMILLE 
Landscape with Figure 


i) 
to 


CORREGGIO (Antonio ALLEGRI DA) | 
Madonna, Child and St. John | : Oo 


 COSWAY, Ricuarp, R.A. s 
Miss Maria Copley, Daughter of Sir Joseph . | 
Copley 128 


COT, Pierre AUGUSTE A 
Ideal Head of a Girl 6m 


COTES, Francis | 
The Hon. Mrs. Damer 105 


CRANE, Bruce, N.A. 
Sunset 


CUYP, AELBERT 


Cavalier dans un Paysage 


DAUBIGNY, Cuartes FrRANcoIs 
Landscape with Figures 


DAVID, Jacaurs Lovis 
Madame Elisabeth, Sister of King Louis XVI 


~ DEFREGGER, Franz von 
The Love J.etter 


DETAILLE, Juan Barrtisre Enovarp 
Commander Directing a Cavalry Charge 


DOMINGO, José 


Cavalier Drinking 


DROUAIS, Francor Huserr 
Mademoiselle Helvetius, Comtesse de Mun 
(1727-1775) 


DROUAIS, Francois Huserr (Attributed to) 
Marquise de Poyanne 


‘DUPRE, J ULES 
Landscape and Cattle 


DURER, ArprecHutT 
Eece Homo 


DURER, Arsrecut (School of) 
Hans Imhoff 


CATALOGUE 
NUMBER 


29 


149 


142 


30 


oF 


110 


80 


108 


caraloeaa 

NUMBER 4 

EARLY ENGLISH SCHOOL a 
Portrait of a Lady ) 129 


EARLY FRENCH SCHOOL . 
~ Hero and Leander | 154 
Perseus and Andromeda 155 8 


EARLY GERMAN SCHOOL | a 
Portrait of a Young Lady : 100 


FRENCH SCHOOL 4 
The Empress Eugenie | «68 - : 


Mademoiselle de La Salle 106 | 
La Marquise de Liancourt | 107 |= 
Madame de Montargis 113° . 
Mademoiselle de Clermont 114. i 4 
Madame de Boticourt © 115, = 
Portrait of a Noble Lady 116 
La Marquise d’imfroit 121 
Portrait of Madame de Crozat 125." 
La Duchesse de Chartres | ee 

La Marquise de Dreux-Brézé 135 
Queen of Naples (Caroline Marie A. Bona- 


parte, 1782-1839) 138 


GERARD, Francois Pascan Smr0n : 
Madame Récamier 141 | 


GREUZE, Jean Baptiste (Attributed to) 
Saying Grace 81 


GRUTZNER, Epwarp — 
Monks Making Wine 65 


GRUTZNER, N. 
A. Jolly Confab 


HAAS, Jowannrs Hupertrus LEonarDUS DE 
Cattle at Pasture 


HARPIGNIES, Henri 
Landscape 


HENNER, JEAN Jacaurs 
Ideal Head 
Andromeda Chained to the Rock 


HOOGHE, Pirerer pr 


Interior with Figures 


HOPPNER, Joun, R.A. (Afier) 
Portrait of a Lady 


ISRAELS, Josrer 
The Mother and Her Child 


ITALIAN SCHOOL 
Madonna-and Child 
Madonna, Child and St. John 


Virgin and Child with Saints 


KAEMMERER, Freprrtck Henprikx 
Sitting for Her Portrait 


KAUFFMANN, Marre Anna Ancetica, R.A. 
The Bathers 


KNAUS, Lupwic 
The Poppies 
The Aged Knitter and Her Pet Bird 
Old Man Seated at ‘Table 


CATALOGUE 
NUMBER 


AA, 


59 


104 


67 


101 


CATALOGUE 
NUMBER 
KNIGHT, Dantet Rincway | 
Hailing the Ferry | 30 


LELOIR, Louis ALEXANDRE 
Standing Figure of a Girl 9 


LENBACH, Franz von 


Prince Bismarck 68 


LERCH, Lro 
Repose 


OU 
oH 


LINFORD, CuHartes 


Landscape pae 
MAES, Nicwonas 
Portrait of a Cavalier 131 
MAKART, Hans 
Leda and the Swan en 28 
“MASTER OF FRANKFORT” 
Triptych: Virgin and Child, with St. Cathe- 
rine and St. Barbara 144 
“MASTER OF THE DEATH OF THE 
VIRGIN” 
Madonna and Child 88 
MAX, GapriEL CoRNELIUS VON 
Girl’s Head AT 


MEISSONIER, Jean Louis Ernest 


Sleeping Cavalier 4 


METSU, Gaprien 
Le Marchand de Volaille 


MEYER VON BREMEN, Jowann Gerore 


Girl Reading 

The Hour of Rest 
The Flower Girl 
Blind Man’s Buff- 


MILLET, Jean Francois 
Two Pencil Drawings in One Frame 
A Young Girl Eating: an Apple 


MUNKACSY, Mruary 
The First Born 


MURILLO, Barrotomt Estrsan 


La Vierge au Rosaire 


NEUVILLE, ALpHonseE DE 
Artillery Moving to Action 


PASINI, ALBErtTo 


Earnest Conversation in Algeria 


PERRET, Aime 
Girl Waiting for Boatman 


La 'Tricoteuse 


PIGLHEIN, Pror. E1imar Urricu Bruno 
Madonna and Child 


POURBUS, Frans (THE YOUNGER) 
Portrait d’un Seigneur de Ripperda 
Portrait of Aysma Van Lauta 


CATALOGUE 
NUMBER 


146 


13 
20 
46 
48 


Ww 


oe 


70 


145 


18 


1 


64 


136 
137 


‘ CATE iz 
NUMBER 
RAEBURN, Sir Henry, R.A. ; oN 
Portrait of a Man | " 109 3 
RAOUX, JEAN Se 
Catherine de Soudeille . - 138988 


REGNAULT, ALExanpRE Grorces Henri : 
Algerian Dancer | 3 5S 


REMBRANDT VAN RYN, HARMENSZ of 
Le Bon Samaritain Bis, 9 1513 a 


REMBRANDT VAN RYN, Harmensz 
(School of) | 
Portrait of a Man 102 


RICO, Marrim 
A Corner of Venice 


Sie 


RIGAUD, Honorar Hyacintur (Attributed to) 
Portrait of a Lady . 95 


RIGAUD, Honorar HyactntHe | 
Mademoiselle de Noailles : 112. 


ROMNEY, Grorcrt (Attributed to) oe 
Lady Hamilton | 98:3 
Meditation an 108 


ROSA, SatvatTor 
Diogenes Looking for an Honest Man 145 


ROTTENHAMMER, Jonann 
Adoration of the Magi Th 


ROY BET, FERDINAND Victor Lron 
A Pleased Cavalier 36 


RUBENS, Perer Pavur 
Madonna and Child Surrounded by Flowers 
Portrait dun Cardinal 


RUBENS, Prerrr Paunt (After) 
Holy Family 


RUSSIAN ICON 


SANCHEZ PERRIER, Emizio 
Spring in Alcala 


SANTERRE, Jean Baptiste 
Portrait of a Lady 


SARTO, ANDREA DEL 
Madonna and Child and St. John 


SCHENCK, Aveustr FREDERIC ALBRECHT 
Shepherd and Flock in a Snow Storm 


SCHREYER, Anorr 
A Hard Tug 


SPANYI, Beta von 
In the Woods 


SULLY, Tuomas 
Portrait of a Young Woman 


Girl’s Head 


TENIERS THE YOUNGER, Davin 
Le Porte-Etendard 


THAULOW, Frits 
Cottages on the Bank of the Mill Stream 


CATALOGUE 
NUMBER 


Ay 


118 


93 


37 


10 


40 


147 


TISCHBEIN, Jowann HEINRICH 
Empress Maria Theresa 


TOCQUE, Lous 
- Lady Playing a Musical Instrument 


TOURNIERES, Rosertr L. (Attributed to) 


Madame Chateauroux 


TROY, Francois pE (School of) 
Mademoiselle de Sery | 


TURNER, JoserpH Matitorp WiiiaAM, R.A. 
(Attributed to) 


Landscape and Figures 


UNIQUE GOTHIC WALL PANEL 
Virgin and Child 


VAN BEERS, Jan 


Indolence 


VAN DER HELST. Banraocomeee 
Portrait of a Young Lady 


Portrait of a Gentleman 


VANLOO, CuHartes ANDRE 
Queen Marie Lesczinska (1703-1768) 


VANLOO, CuHartes ANDRE (CARLE) (After) 
Madame de Soubise 


VANLOO, Louis M. (Attributed to) 
La Comtesse de Beaufort 


=f e's 7 


CATALOGUE 
NUMBER 


967% 


130 


39 


117 


97 


134 


VAN MARCKE, Emu 
Landscape and Cattle 


VAN OSTADHE, Apriaan (Attributed to) 


The Argument 


VAN SCOREL, Jan 
Madonna and Child 


VASARI, Gtoreio ~— 
The Christ, Virgin and St. John 


VAUTIER, Brengamin Louis Marc 
The Diligence Station 
Alsatian Wedding 


VERSPRONCK, Jan 
Portrait of a Lady 


VESTIER, Antoine (Attributed to) 
La Marquise de Baglion 
Mademoiselle Fougy 


VIBERT, JEAN GEORGES 
A. Cavalier 
The Oratorical Cardinal 


VOLTZ, Frieprico JoHANN 
Landscape with Herder and Cattle 


VOS, CornNELIS DE 
Portrait of a Lady 


WIERUSZ-KOWALSKI, Arrrep von 


Russian Street Scene at Night 


CATALOGUE 
NUMBER 


78 


86 


91 


69 
74 


148 


111 
124 


bo 


153 


43 


Ss panish Street Seene 


WYANT, ham Tak, N A ; 
Wood Interior. Repeats s e 


ZIBINI | . ae 
Madonna and Child — } Ee ea | 


i Venice ; aie | 


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